By 1963, Van Elslander owned seven stores and had taken on some partners, including his brother, Bob Van Elslander, Don Fox and Bob McEachin.[5] The following year, three of those stores were sold off, however Van Elslander expanded the chain in the 1970s and in 1973 the company purchased its headquarters in Warren, Michigan. Around that time, the company had fifteen stores in its chain. In the late 1970s opened several warehouses and a corporate training department. In 1977 the company opened stores outside of Detroit, in Flint and Lansing, Michigan.[6]
The piece comes back and looks horrible. The fabric was torn and stapled back together unevenly. We called Art Van to complain and were promised to be contacted by the manager. In the meantime we moved and didn't get a chance to call manager back.  We called back and were told manager would contact us. Nothing. I finally called the manager, Kathy Smith, today and received the worst treatment I've ever experienced from a store. Right away she had a chip on her should and said because it's been 8 months since original purchase, we couldn't get a replacement and basically it wasn't her problem. I wasn't rude and didn't say anything to anger her but she acted like I was trying to steal from her. I explained that if we could not get the piece replaced (which is ridiculous by itself), could we get a decent discount on the purchase of two new pieces? We need to get the reverse pieces for the new house and were hoping after all the inconvenience, that they could work with us since the original piece looks terrible from being serviced.
For years, Van Dyke struggled financially and professionally. He and his first wife, Margie, married on a radio show called Bride and Groom in 1948, in part because the program paid for the ceremony and gave them a free honeymoon. In the late 1940s and early '50s, Van Dyke worked in radio and television in Atlanta and New Orleans. He landed a seven-year contract with CBS in the early 1950s, but was let go after three years.
Many of the comedy films Van Dyke starred in throughout the 1960s were relatively unsuccessful at the box office, including What a Way to Go! with Shirley MacLaine, Lt. Robin Crusoe, U.S.N., Fitzwilly, The Art of Love with James Garner and Elke Sommer, Some Kind of a Nut, Never a Dull Moment with Edward G. Robinson, and Divorce American Style with Debbie Reynolds and Jean Simmons. But he also starred as Caractacus Pott (with his native accent, at his own insistence, despite the English setting) in the successful musical version of Ian Fleming's Chitty Chitty Bang Bang (1968), which co-starred Sally Ann Howes and featured the same songwriters (The Sherman Brothers) and choreographers (Marc Breaux and Dee Dee Wood) as Mary Poppins.
Penniless and feeling that his faith was destroyed, he sank into despair and withdrew from everyone. “They think I’m a madman,” he told an acquaintance, “because I wanted to be a true Christian. They turned me out like a dog, saying that I was causing a scandal.” It was then that van Gogh began to draw seriously, thereby discovering in 1880 his true vocation as an artist. Van Gogh decided that his mission from then on would be to bring consolation to humanity through art. “I want to give the wretched a brotherly message,” he explained to his brother Theo. “When I sign [my paintings] ‘Vincent,’ it is as one of them.” This realization of his creative powers restored his self-confidence.
By 1963, Van Elslander owned seven stores and had taken on some partners, including his brother, Bob Van Elslander, Don Fox and Bob McEachin.[5] The following year, three of those stores were sold off, however Van Elslander expanded the chain in the 1970s and in 1973 the company purchased its headquarters in Warren, Michigan. Around that time, the company had fifteen stores in its chain. In the late 1970s opened several warehouses and a corporate training department. In 1977 the company opened stores outside of Detroit, in Flint and Lansing, Michigan.[6]
Van Gogh knew that his approach to painting was individualistic, but he also knew that some tasks are beyond the power of isolated individuals to accomplish. In Paris he had hoped to form a separate Impressionist group with Gauguin, Toulouse-Lautrec, and others whom he believed had similar aims. He rented and decorated a house in Arles with the intention of persuading them to join him and found a working community called “The Studio of the South.” Gauguin arrived in October 1888, and for two months van Gogh and Gauguin worked together; but, while each influenced the other to some extent, their relations rapidly deteriorated because they had opposing ideas and were temperamentally incompatible.

Van Gogh made several painting excursions during visits to the landscape around Arles. He made paintings of harvests, wheat fields and other rural landmarks of the area, including The Old Mill (1888); a good example of a picturesque structure bordering the wheat fields beyond.[116] At various points, Van Gogh painted the view from his window – at The Hague, Antwerp, and Paris. These works culminated in The Wheat Field series, which depicted the view from his cells in the asylum at Saint-Rémy.[256]
Van Gogh suffered from psychotic episodes and delusions and though he worried about his mental stability, he often neglected his physical health, did not eat properly and drank heavily. His friendship with Gauguin ended after a confrontation with a razor when, in a rage, he severed part of his own left ear. He spent time in psychiatric hospitals, including a period at Saint-Rémy. After he discharged himself and moved to the Auberge Ravoux in Auvers-sur-Oise near Paris, he came under the care of the homeopathic doctor Paul Gachet. His depression continued and on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later.

After Van Gogh's death, memorial exhibitions were held in Brussels, Paris, The Hague and Antwerp. His work was shown in several high-profile exhibitions, including six works at Les XX; in 1891 there was a retrospective exhibition in Brussels.[265] In 1892 Octave Mirbeau wrote that Van Gogh's suicide was an "infinitely sadder loss for art ... even though the populace has not crowded to a magnificent funeral, and poor Vincent van Gogh, whose demise means the extinction of a beautiful flame of genius, has gone to his death as obscure and neglected as he lived."[263]
Categories: Vincent van Gogh1853 births1890 deathsDutch male paintersDutch landscape paintersDutch still life paintersFlower artistsPost-impressionist paintersDutch people with disabilitiesDutch ProtestantsPainters who committed suicidePeople from ZundertPeople with borderline personality disorderDutch ChristiansDutch expatriates in BelgiumDutch expatriates in FranceDutch expatriates in the United KingdomRoyal Academy of Fine Arts (Antwerp) alumniSuicides by firearm in FrancePeople of MontmartreMale suicidesAcadémie Royale des Beaux-Arts alumni
Poverty may have pushed Sien back into prostitution; the home became less happy and Van Gogh may have felt family life was irreconcilable with his artistic development. Sien gave her daughter to her mother, and baby Willem to her brother.[78] Willem remembered visiting Rotterdam when he was about 12, when an uncle tried to persuade Sien to marry to legitimise the child.[79] He believed Van Gogh was his father, but the timing of his birth makes this unlikely.[80] Sien drowned herself in the River Scheldt in 1904.[81]

[on turning down The Omen (1976)] My god, that was stupid. Gregory Peck got the part, but at that time there was a lot of violence in it - people impaled on things. I was pretty puritan at the time, a goody-two-shoes, I felt I'd put myself in a position where the audience trusted me. I turned down several things for that reason - either taste or violence or sex or something.


Mattresses, Bedroom Sets and Headboards - You will rest well with a Tempur-Pedic, Stearns & Foster, or PureSleep queen or king mattress set that fits your sleep style. Complete your master bedroom, guest room or kids' bedrooms with beautiful bedroom furniture collections. You will find designer upholstered headboards, bureaus, dressers, wardrobes and chic metal beds to create a room that is your personal oasis. Beautiful rooms from Metropolitan Home and Ashley have something for every décor style, whether small and urban or spaciously rustic.
In despair of ever being able to overcome his loneliness or be cured, van Gogh shot himself. He did not die immediately. When found wounded in his bed, he allegedly said, “I shot myself.…I only hope I haven’t botched it.” That evening, when interrogated by the police, van Gogh refused to answer questions, saying, “What I have done is nobody else’s business. I am free to do what I like with my own body.”
I am extremely unhappy with the service I was provided. My wife and I just moved, and are on a tight budget. We were in need of a mattress due to having to leave the old one at our old place. After sleeping on an air mattress for a few months we decided it was time to bite the bullet and buy a real one. We went to art van and got a cheaper mattress (due to the tight budget) and told it was not in stock at their location but it was at their Dearborn location, and they would have it shuttled and we could pick it up in 1-2 business days. After they took our card information and charged us they informed us that the mattress wouldn't be ready until February, and we are now going to have to wait 3 weeks.
Van Gogh himself brought this period to an end. Oppressed by homesickness—he painted souvenirs of Holland—and loneliness, he longed to see Theo and the north once more and arrived in Paris in May 1890. Four days later he went to stay with a homeopathic doctor-artist, Paul-Ferdinand Gachet, a friend of Pissarro and Paul Cézanne, at Auvers-sur-Oise. Back in a village community such as he had not known since Nuenen, four years earlier, van Gogh worked at first enthusiastically; his choice of subjects such as fields of corn, the river valley, peasants’ cottages, the church, and the town hall reflects his spiritual relief. A modification of his style followed: the natural forms in his paintings became less contorted, and in the northern light he adopted cooler, fresh tonalities. His brushwork became broader and more expressive and his vision of nature more lyrical. Everything in these pictures seems to be moving, living. This phase was short, however, and ended in quarrels with Gachet and feelings of guilt at his financial dependence on Theo (now married and with a son) and his inability to succeed.

The exact sequence of events which led to Van Gogh's mutilation of his ear is not known. Gauguin stated, fifteen years later, that the night followed several instances of physically threatening behaviour.[138] Their relationship was complex, and Theo may have owed money to Gauguin, who was suspicious that the brothers were exploiting him financially.[139] It seems likely that Van Gogh had realised that Gauguin was planning to leave.[139] The following days saw heavy rain, leading to the two men being shut in the Yellow House.[140] Gauguin reported that Van Gogh followed when Gauguin left the house for a walk, and "rushed towards me, an open razor in his hand".[140] This account is uncorroborated;[141] Gauguin was almost certainly absent from the Yellow House that night, most likely in a hotel.[140]


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Many of the comedy films Van Dyke starred in throughout the 1960s were relatively unsuccessful at the box office, including What a Way to Go! with Shirley MacLaine, Lt. Robin Crusoe, U.S.N., Fitzwilly, The Art of Love with James Garner and Elke Sommer, Some Kind of a Nut, Never a Dull Moment with Edward G. Robinson, and Divorce American Style with Debbie Reynolds and Jean Simmons. But he also starred as Caractacus Pott (with his native accent, at his own insistence, despite the English setting) in the successful musical version of Ian Fleming's Chitty Chitty Bang Bang (1968), which co-starred Sally Ann Howes and featured the same songwriters (The Sherman Brothers) and choreographers (Marc Breaux and Dee Dee Wood) as Mary Poppins.

Van Gogh worked hard and methodically but soon perceived the difficulty of self-training and the need to seek the guidance of more experienced artists. Late in 1881 he settled at The Hague to work with a Dutch landscape painter, Anton Mauve. He visited museums and met with other painters. Van Gogh thus extended his technical knowledge and experimented with oil paint in the summer of 1882. In 1883 the urge to be “alone with nature” and with peasants took him to Drenthe, an isolated part of the northern Netherlands frequented by Mauve and other Dutch artists, where he spent three months before returning home, which was then at Nuenen, another village in the Brabant. He remained at Nuenen during most of 1884 and 1885, and during these years his art grew bolder and more assured. He painted three types of subjects—still life, landscape, and figure—all interrelated by their reference to the daily life of peasants, to the hardships they endured, and to the countryside they cultivated. Émile Zola’s Germinal (1885), a novel about the coal-mining region of France, greatly impressed van Gogh, and sociological criticism is implicit in many of his pictures from this period—e.g., Weavers and The Potato Eaters. Eventually, however, he felt too isolated in Nuenen.
We also love our new sectional! Art Van had a ton of options to choose from and it took us a second visit to nail down which one we wanted most. Pretty much everything can be customized from fabric to power options as well, which worked in our favor. They offer great long warranties, too, which was important to us since we have a dog. We were able to find a sectional with a chaise, center console, and power reclining seats which was so hard to find any where else. We got exactly what we wanted.
Danny (last name May, I'm pretty sure) and Sierra were a pleasure to work with. They had a completely non-pushy yet totally dedicated approach. Their timing was perfect - literally every time we had a question or wanted help, they appeared and LISTENED to our wants and dislikes and guided us like they really cared. They were upbeat and personable and miles ahead of the salespeople we met at other furniture stores in the area. We couldn't be happier with how we were treated.
To support his religious conviction and his desire to become a pastor, in 1877 the family sent him to live with his uncle Johannes Stricker, a respected theologian, in Amsterdam.[42] Van Gogh prepared for the University of Amsterdam theology entrance examination;[43] he failed the exam, and left his uncle's house in July 1878. He undertook, but also failed, a three-month course at a Protestant missionary school in Laken, near Brussels.[44]
The adult Broadway cast (Dick, Paul Lynde, Maureen Stapleton) who recreated their roles for the film version of Bye Bye Birdie (1963) were generally disappointed in the film. It was felt that director George Sidney placed far too much focus on Ann-Margret's teen role, a role that was secondary in the stage hit. Ann-Margret was at the time experiencing a meteoric rise in films.

Van Gogh himself brought this period to an end. Oppressed by homesickness—he painted souvenirs of Holland—and loneliness, he longed to see Theo and the north once more and arrived in Paris in May 1890. Four days later he went to stay with a homeopathic doctor-artist, Paul-Ferdinand Gachet, a friend of Pissarro and Paul Cézanne, at Auvers-sur-Oise. Back in a village community such as he had not known since Nuenen, four years earlier, van Gogh worked at first enthusiastically; his choice of subjects such as fields of corn, the river valley, peasants’ cottages, the church, and the town hall reflects his spiritual relief. A modification of his style followed: the natural forms in his paintings became less contorted, and in the northern light he adopted cooler, fresh tonalities. His brushwork became broader and more expressive and his vision of nature more lyrical. Everything in these pictures seems to be moving, living. This phase was short, however, and ended in quarrels with Gachet and feelings of guilt at his financial dependence on Theo (now married and with a son) and his inability to succeed.
I must have had this wrong for years.  When you find something on CLEARANCE I've always taken that to mean it's an item that the store is no longer going to carry, it's an older model and they are making space for newer or it's flawed in someway.   These items have always been cash and carry anywhere I've ever shopped and also generally a non refundable sale which is fine.   I was proven wrong on all counts today.  Enter the Lansing store, was followed around by a creeper sales associate (which I hate. but just ignored him and headed strait for the department I needed.  He followed).  I've been looking for a particular item that I just have not been able to find.  ECSTATIC that not only did I find what i was looking for but also found the color I was looking for AND BONUS it was on CLEARANCE.  Creeper sales associate caught up to us and of course wanted to draw our attention to a full priced item after noticing just what we were looking for.  What he showed us was not the right color and not what I wanted.  Took him over to the one I wanted to get and that's where things got interesting.  Not only was I told I could NOT purchase that item today but was told it would have to be ordered.  And the best part of all, it would arrive SOMETIME in February!!!!  What????  We looked at ordering it online while in the store and there it was. Available,  also at the sale price but again would not arrive until sometime in February and to save the $99.00 to have it sent to our home we would have to return there to pick it up. How is this even classified as clearance then? Needless to say, chock up a very disappointing day.  And, said creeper sales associate,  bye bye commission on that lost sale.  Oh, and if you are going to have a recliner in clearance that the handle is busted and won't even recline then a $249.00 price tag seems a bit excessive.  This was not the one we were wanting to get it was a different one.  It was reassuring(?) however when the sales associate stated they would get someone onto fixing it.  Good luck to the poor customer that gets that one.  A zero star rating.  Sorry. (It would not let me leave zero stars selected so I guess it gets a sympathy one star.

To support his religious conviction and his desire to become a pastor, in 1877 the family sent him to live with his uncle Johannes Stricker, a respected theologian, in Amsterdam.[42] Van Gogh prepared for the University of Amsterdam theology entrance examination;[43] he failed the exam, and left his uncle's house in July 1878. He undertook, but also failed, a three-month course at a Protestant missionary school in Laken, near Brussels.[44]
Van Gogh stayed within what he called the "guise of reality",[218] and was critical of overly stylised works.[219] He wrote afterwards that the abstraction of Starry Night had gone too far and that reality had "receded too far in the background".[219] Hughes describes it as a moment of extreme visionary ecstasy: the stars are in a great whirl, reminiscent of Hokusai's Great Wave, the movement in the heaven above is reflected by the movement of the cypress on the earth below, and the painter's vision is "translated into a thick, emphatic plasma of paint".[220]
In November 1959, Van Dyke made his Broadway debut in The Girls Against the Boys. He then played the lead role of Albert Peterson in Bye Bye Birdie, which ran from April 14, 1960, to October 7, 1961. In a May 2011 interview with Rachael Ray, Van Dyke said that when he auditioned for a smaller part in the show he had no experience as a dancer, and that after he sang his audition song he did an impromptu soft-shoe out of sheer nervousness. Gower Champion, the show's director and choreographer, was watching, and promptly went up on stage to inform Van Dyke he had the lead. An astonished Van Dyke protested that he could not dance, to which Champion replied: "We'll teach you". That musical won four Tony awards including Van Dyke's Best Featured Actor Tony, in 1961.[16] In 1980, Van Dyke appeared as the title role in the first Broadway revival of The Music Man.[17]
In December 1888 he painted La Berceuse – a figure that he thought as good as his sunflowers. It has a limited palette, varied brushstrokes and simple contours.[219] It appears to be a culmination of portraits of the Roulin family completed in Arles between November and December. The portraits show a shift in style from the fluid, restrained brushstrokes and even surface of Portrait of the Postman to the frenetic style, rough surface, broad brushstrokes and use of a palette knife in Madame Roulin with Baby.[229]
After Van Gogh's death, memorial exhibitions were held in Brussels, Paris, The Hague and Antwerp. His work was shown in several high-profile exhibitions, including six works at Les XX; in 1891 there was a retrospective exhibition in Brussels.[265] In 1892 Octave Mirbeau wrote that Van Gogh's suicide was an "infinitely sadder loss for art ... even though the populace has not crowded to a magnificent funeral, and poor Vincent van Gogh, whose demise means the extinction of a beautiful flame of genius, has gone to his death as obscure and neglected as he lived."[263]
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