People in the UK love to rib me about my accent, I will never live it down. They ask what part of England I was meant to be from and I say it was a little shire in the north where most of the people were from Ohio. I was working with an entire English cast and nobody said a word, not Julie, not anybody said I needed to work on it so I thought I was alright.
The piece comes back and looks horrible. The fabric was torn and stapled back together unevenly. We called Art Van to complain and were promised to be contacted by the manager. In the meantime we moved and didn't get a chance to call manager back. We called back and were told manager would contact us. Nothing. I finally called the manager, Kathy Smith, today and received the worst treatment I've ever experienced from a store. Right away she had a chip on her should and said because it's been 8 months since original purchase, we couldn't get a replacement and basically it wasn't her problem. I wasn't rude and didn't say anything to anger her but she acted like I was trying to steal from her. I explained that if we could not get the piece replaced (which is ridiculous by itself), could we get a decent discount on the purchase of two new pieces? We need to get the reverse pieces for the new house and were hoping after all the inconvenience, that they could work with us since the original piece looks terrible from being serviced.
Van Dyke was born on December 13, 1925, in West Plains, Missouri, to Hazel Victoria (née McCord; 1896 – 1992), a stenographer, and Loren Wayne "Cookie" Van Dyke (1898–1976), a salesman. He grew up in Danville, Illinois. He is the older brother of actor Jerry Van Dyke (1931–2018), who is best known for a role on the TV series Coach. Van Dyke has Dutch, English, Irish, and Scottish ancestry, with a family line that traces back to Mayflower passenger John Alden.
Dick Van Dyke was born Richard Wayne Van Dyke in West Plains, Missouri, to Hazel Victoria (McCord), a stenographer, and Loren Wayne Van Dyke, a salesman. His younger brother is entertainer Jerry Van Dyke. His ancestry includes English, Scottish, German, Swiss-German, and Dutch. Although he'd had small roles beforehand, Van Dyke was launched to stardom in the 1960 musical "Bye-Bye Birdie", for which he won a Tony Award, and, then, later in the movie based on that play, Bye Bye Birdie (1963). He has starred in a number of films throughout the years including Mary Poppins (1964), Chitty Chitty Bang Bang (1968) and Fitzwilly (1967), as well as a number of successful television series which won him no less than four Emmys and three made-for-CBS movies. After separating from his wife, Margie Willett, in the 1970s, Dick later became involved with Michelle Triola. Margie and Dick had four children born during the first ten years of their marriage: Barry Van Dyke; Carrie Beth van Dyke; Christian Van Dyke and Stacy Van Dyke, all of whom are now in their forties and married themselves. He has seven grandchildren, including Shane Van Dyke, Carey Van Dyke, Wes Van Dyke and Taryn Van Dyke (Barry's children) and family members often appear with him on Diagnosis Murder (1993). See full bio on IMDb »
I asked Fred Astaire once when he was about my age if he still danced and he said 'Yes, but it hurts now.' That's exactly it. I can still dance too but it hurts now! I've always kept moving. I was at the gym at six this morning. Of course marrying a beautiful young woman has been a big help. There are so many years between us and we don't feel it. I'm emotionally immature and she's very wise for her age so we kind of meet in the middle.
The album "Songs I Like By Dick Van Dyke" was recorded on Friday, November 22, 1963. Early in the recording session, the artists and orchestra were informed of the assassination of President John F. Kennedy in Dallas, Texas. In spite of the tragic news, and a deadline from Command Records that had to be met, the recording session continued to a successful conclusion - albeit in an emotionally-charged atmosphere. He said that he scarcely remembers the session because he was in such a state of shock after hearing the news.
Van Gogh’s fame dates from the early years of the 20th century, and since then his reputation has never ceased to grow. A large part of this reputation is based on the image of van Gogh as a struggling genius, working unappreciated in isolation. The dramatic elements of his life—poverty, self-mutilation, mental breakdown, and suicide—feed the drama of this mythology. The notion that his unorthodox talent was unrecognized and rejected by society heightens the legend, as it is just that sort of isolation and struggle that has come to define the modern concept of the artist. This mythical van Gogh has become almost inseparable from his art, inspiring artists to dramatize his saga in poems, novels, films, operas, dance ensembles, orchestral compositions, and a popular song. Wide and diverse audiences have come to appreciate his art, and the record-breaking attendance at exhibitions of his works—as well as the popularity of commercial items featuring imagery from his oeuvre—reveal that, within the span of a century, van Gogh has become perhaps the most recognized painter of all time. The unprecedented prices his works have attained through auction and the attention paid to forgery scandals have only increased van Gogh’s stature in the public imagination.
Between February and April 1890 Van Gogh suffered a severe relapse. Depressed and unable to bring himself to write, he was still able to paint and draw a little during this time, and he later wrote to Theo that he had made a few small canvases "from memory ... reminisces of the North". Among these was Two Peasant Women Digging in a Snow-Covered Field at Sunset. Hulsker believes that this small group of paintings formed the nucleus of many drawings and study sheets depicting landscapes and figures that Van Gogh worked on during this time. He comments that this short period was the only time that Van Gogh's illness had a significant effect on his work. Van Gogh asked his mother and his brother to send him drawings and rough work he had done in the early 1880s so he could work on new paintings from his old sketches. Belonging to this period is Sorrowing Old Man ("At Eternity's Gate"), a colour study Hulsker describes as "another unmistakable remembrance of times long past". His late paintings show an artist at the height of his abilities, according to the art critic Robert Hughes, "longing for concision and grace".
Well, they just lost a sale for an entire living room suite because they couldn't get their stories straight about their 'President's Day Sale.' There were signs on everything in the store about an additional 20% off for cash or 0% for 50 months financing. Well, when I asked about the cash price, I was told that the price on the tag wasn't the price they took the 20% off of. It was the price listed just above that that the 20% off would apply to. Oh, and only the ones that ended in .99 rather that .00 were on sale. Okay...that makes it sooooo easy to figure it all out. Not! After speaking to the 3rd person just to get some clarification, she at least had the decency to admit she didn't know which price on the tag the 20% came off of. Luckily, there was a manager she could ask and she left us to stew for a couple of minutes. When she came back, she said that there was a tagging error and that only items with the .99 were 20% off. Well, we walked out, and spent our hard-earned cash just down the road at Slumberlands, where we did the same thing 2 years ago with our bedroom suite after the same strange sales dance happened at the old Rothmann's (the same site as the Art Van store today) and we left there disgusted and embarrassed for the furniture sales profession, as a whole. Read less
Van Gogh stayed within what he called the "guise of reality", and was critical of overly stylised works. He wrote afterwards that the abstraction of Starry Night had gone too far and that reality had "receded too far in the background". Hughes describes it as a moment of extreme visionary ecstasy: the stars are in a great whirl, reminiscent of Hokusai's Great Wave, the movement in the heaven above is reflected by the movement of the cypress on the earth below, and the painter's vision is "translated into a thick, emphatic plasma of paint".
Van Gogh's works are among the world's most expensive paintings. Those sold for over US$100 million (today's equivalent) include Portrait of Dr Gachet, Portrait of Joseph Roulin and Irises. The Metropolitan Museum of Art's version of Wheat Field with Cypresses was acquired in 1993 for US$57 million. In 2015 L'Allée des Alyscamps sold for US$66.3 million at Sotheby's, New York, exceeding its reserve of US$40 million.
Van Gogh strove to be a painter of rural life and nature, and during his first summer in Arles he used his new palette to paint landscapes and traditional rural life. His belief that a power existed behind the natural led him to try to capture a sense of that power, or the essence of nature in his art, sometimes through the use of symbols. His renditions of the sower, at first copied from Jean-François Millet, reflect Van Gogh's religious beliefs: the sower as Christ sowing life beneath the hot sun. These were themes and motifs he returned to often to rework and develop. His paintings of flowers are filled with symbolism, but rather than use traditional Christian iconography he made up his own, where life is lived under the sun and work is an allegory of life. In Arles, having gained confidence after painting spring blossoms and learning to capture bright sunlight, he was ready to paint The Sower.
Categories: Vincent van Gogh1853 births1890 deathsDutch male paintersDutch landscape paintersDutch still life paintersFlower artistsPost-impressionist paintersDutch people with disabilitiesDutch ProtestantsPainters who committed suicidePeople from ZundertPeople with borderline personality disorderDutch ChristiansDutch expatriates in BelgiumDutch expatriates in FranceDutch expatriates in the United KingdomRoyal Academy of Fine Arts (Antwerp) alumniSuicides by firearm in FrancePeople of MontmartreMale suicidesAcadémie Royale des Beaux-Arts alumni
Between 1885 and his death in 1890, Van Gogh appears to have been building an oeuvre, a collection that reflected his personal vision, and could be commercially successful. He was influenced by Blanc's definition of style, that a true painting required optimal use of colour, perspective and brushstrokes. Van Gogh applied the word "purposeful" to paintings he thought he had mastered, as opposed to those he thought of as studies. He painted many series of studies; most of which were still lifes, many executed as colour experiments or as gifts to friends. The work in Arles contributed considerably to his oeuvre: those he thought the most important from that time were The Sower, Night Cafe, Memory of the Garden in Etten and Starry Night. With their broad brushstrokes, inventive perspectives, colours, contours and designs, these paintings represent the style he sought.
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What particularly struck me when I saw the old Dutch paintings again is that they were usually painted quickly. That these great masters like Hals, Rembrandt, Ruisdael – so many others – as far as possible just put it straight down – and didn't come back to it so very much. And – this, too, please – that if it worked, they left it alone. Above all I admired hands by Rembrandt and Hals – hands that lived, but were not finished in the sense that people want to enforce nowadays ... In the winter I'm going to explore various things regarding manner that I noticed in the old paintings. I saw a great deal that I needed. But this above all things – what they call – dashing off – you see that's what the old Dutch painters did famously. That – dashing off – with a few brushstrokes, they won't hear of it now – but how true the results are.