Dick Van Dyke was born Richard Wayne Van Dyke in West Plains, Missouri, to Hazel Victoria (McCord), a stenographer, and Loren Wayne Van Dyke, a salesman. His younger brother is entertainer Jerry Van Dyke. His ancestry includes English, Scottish, German, Swiss-German, and Dutch. Although he'd had small roles beforehand, Van Dyke was launched to ... See full bio »

The self-portraits reflect an unusually high degree of self-scrutiny.[233] Often they were intended to mark important periods in his life, for example the mid-1887 Paris series were painted at the point where he became aware of Claude Monet, Paul Cezanne and Signac.[234] In Self-Portrait with Grey Felt Hat, heavy strains of paint spread outwards across the canvas. It is one of his most renowned self-portraits of that period, "with its highly organized rhythmic brushstrokes, and the novel halo derived from the Neo-impressionist repertoire was what Van Gogh himself called a 'purposeful' canvas".[235]
Those of you who have followed this saga and supported my efforts with your countless emails will understand when I say that regardless of money, ethics, William Morris Agents and their lawyers, and anyone else who has the guts to call this project their own, I can honestly say that I am sitting here in my apartment in New York City SMILING BIG SMILES because I know in my heart (and so does EVERYONE ELSE) that this whole bloody thing...and all of your happiness....was because of something I did.
During the first days of his treatment, Van Gogh repeatedly and unsuccessfully asked for Gauguin, who asked a policeman attending the case to "be kind enough, Monsieur, to awaken this man with great care, and if he asks for me tell him I have left for Paris; the sight of me might prove fatal for him."[153] Gauguin fled Arles, never to see Van Gogh again. They continued to correspond and in 1890 Gauguin proposed they form a studio in Antwerp. Meanwhile, other visitors to the hospital included Marie Ginoux and Roulin.[154]
Van Gogh learned about Fernand Cormon's atelier from Theo.[107] He worked at the studio in April and May 1886,[108] where he frequented the circle of the Australian artist John Peter Russell, who painted his portrait in 1886.[109] Van Gogh also met fellow students Émile Bernard, Louis Anquetin and Henri de Toulouse-Lautrec – who painted a portrait of him in pastel. They met at Julien "Père" Tanguy's paint shop,[108] (which was, at that time, the only place where Paul Cézanne's paintings were displayed). In 1886, two large exhibitions were staged there, showing Pointillism and Neo-impressionism for the first time, and bringing attention to Georges Seurat and Paul Signac. Theo kept a stock of Impressionist paintings in his gallery on boulevard Montmartre, but Van Gogh was slow to acknowledge the new developments in art.[110]
Van Gogh's fame reached its first peak in Austria and Germany before World War I,[280] helped by the publication of his letters in three volumes in 1914.[281] His letters are expressive and literate, and have been described as among the foremost 19th-century writings of their kind.[8] These began a compelling mythology of Van Gogh as an intense and dedicated painter who suffered for his art and died young.[282] In 1934, the novelist Irving Stone wrote a biographical novel of Van Gogh's life titled Lust for Life, based on Van Gogh's letters to Theo. This novel and the 1956 film further enhanced his fame, especially in the United States where Stone surmised only a few hundred people had heard of van Gogh prior to his surprise best-selling book.[283][284]
I purchased a sectional set from the Fort Wayne store last year and it has been nothing but a nightmare. Within a month it has stated to rip at the stitching. We called and they said we don't cover that it's the factory warranty. So we called them and was informed we called to late of the incident of the rip and it was not on the stitching even tho clearly the picture the guy took showed the stitching coming apart. Then a month later our dog threw up brown sugar all over or brown sectional and the oder is unbearable to the point where you can't sit on it. We purchased the extended stain warranty and you guessed it... It was not covered...... So a month ago they were have birthday sale so we go in looking for a bed and bed frame. They worked with us and got a good deal on a set. So last week they delivery was 2 hours late so we had to reschedule and my wife missed work. Now today they showed up with half our order and made me miss work bc they couldn't work with us on times to be delivered. Now they want us to miss work again to deliver the rest of the order next Thursday. So I sit down on my disgusting falling apart sectional and it clicks I'm done with this company and the empty promises and cancel the remainder of the order bc I need a mattress to sleep on tonight. Do not do business with this company unless you like terrible customer service...
Van Gogh's works are among the world's most expensive paintings. Those sold for over US$100 million (today's equivalent) include Portrait of Dr Gachet,[286] Portrait of Joseph Roulin and Irises. The Metropolitan Museum of Art's version of Wheat Field with Cypresses was acquired in 1993 for US$57 million.[287] In 2015 L'Allée des Alyscamps sold for US$66.3 million at Sotheby's, New York, exceeding its reserve of US$40 million.[288]
In Nuenen, Van Gogh focused on painting and drawing. Working outside and very quickly, he completed sketches and paintings of weavers and their cottages.[82] From August 1884, Margot Begemann, a neighbour's daughter ten years his senior, joined him on his forays; she fell in love and he reciprocated, though less enthusiastically. They wanted to marry, but neither side of their families were in favour. Margot was distraught and took an overdose of strychnine, but survived after Van Gogh rushed her to a nearby hospital.[75] On 26 March 1885, his father died of a heart attack.[83]
Conflicts arose between the brothers. At the end of 1886 Theo found living with Vincent to be "almost unbearable".[108] By early 1887, they were again at peace, and Vincent had moved to Asnières, a northwestern suburb of Paris, where he got to know Signac. He adopted elements of Pointillism, a technique in which a multitude of small coloured dots are applied to the canvas so that when seen from a distance they create an optical blend of hues. The style stresses the ability of complementary colours – including blue and orange – to form vibrant contrasts.[87][108]
In April 2013, Van Dyke revealed that for seven years he had been experiencing symptoms of a neurological disorder, in which he felt a pounding in his head whenever he lay down; but despite his undergoing tests, no diagnosis had been made.[55] He had to cancel scheduled appearances due to fatigue from lack of sleep because of the medical condition.[56] In May 2013, he tweeted that it seemed his titanium dental implants may be responsible.[57]
In preparation for Gauguin's visit, Van Gogh bought two beds on advice from the station's postal supervisor Joseph Roulin, whose portrait he painted. On 17 September he spent his first night in the still sparsely furnished Yellow House.[129] When Gauguin consented to work and live in Arles with him, Van Gogh started to work on the Décoration for the Yellow House, probably the most ambitious effort he ever undertook.[130] He completed two chair paintings: Van Gogh's Chair and Gauguin's Chair.[131]
Between 1885 and his death in 1890, Van Gogh appears to have been building an oeuvre,[221] a collection that reflected his personal vision, and could be commercially successful. He was influenced by Blanc's definition of style, that a true painting required optimal use of colour, perspective and brushstrokes. Van Gogh applied the word "purposeful" to paintings he thought he had mastered, as opposed to those he thought of as studies.[222] He painted many series of studies;[218] most of which were still lifes, many executed as colour experiments or as gifts to friends.[223] The work in Arles contributed considerably to his oeuvre: those he thought the most important from that time were The Sower, Night Cafe, Memory of the Garden in Etten and Starry Night. With their broad brushstrokes, inventive perspectives, colours, contours and designs, these paintings represent the style he sought.[219]
[about Mary Poppins (1964)] I thought Walt Disney hired me because I was such a great singer and dancer. As it turns out, he had heard me in an interview talking about what was happening to family entertainment. I was decrying the fact that it seemed like no holds were barred anymore in entertainment . . . That's why he called me in, because I said something he agreed with. And I got the part.

Van Gogh wrote that with The Night Café he tried "to express the idea that the café is a place where one can ruin oneself, go mad, or commit a crime".[124] When he visited Saintes-Maries-de-la-Mer in June, he gave lessons to a Zouave second lieutenant – Paul-Eugène Milliet[125] – and painted boats on the sea and the village.[126] MacKnight introduced Van Gogh to Eugène Boch, a Belgian painter who sometimes stayed in Fontvieille, and the two exchanged visits in July.[125]
Largely on the basis of the works of the last three years of his life, van Gogh is generally considered one of the greatest Dutch painters of all time. His work exerted a powerful influence on the development of much modern painting, in particular on the works of the Fauve painters, Chaim Soutine, and the German Expressionists. Yet of the more than 800 oil paintings and 700 drawings that constitute his life’s work, he sold only one in his lifetime. Always desperately poor, he was sustained by his faith in the urgency of what he had to communicate and by the generosity of Theo, who believed in him implicitly. The letters that he wrote to Theo from 1872 onward, and to other friends, give such a vivid account of his aims and beliefs, his hopes and disappointments, and his fluctuating physical and mental state that they form a unique and touching biographical record that is also a great human document.

For years, Van Dyke struggled financially and professionally. He and his first wife, Margie, married on a radio show called Bride and Groom in 1948, in part because the program paid for the ceremony and gave them a free honeymoon. In the late 1940s and early '50s, Van Dyke worked in radio and television in Atlanta and New Orleans. He landed a seven-year contract with CBS in the early 1950s, but was let go after three years.
The most comprehensive primary source on Van Gogh is the correspondence between him and his younger brother, Theo. Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890.[7] Theo van Gogh was an art dealer and provided his brother with financial and emotional support, and access to influential people on the contemporary art scene.[8]
The most comprehensive primary source on Van Gogh is the correspondence between him and his younger brother, Theo. Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890.[7] Theo van Gogh was an art dealer and provided his brother with financial and emotional support, and access to influential people on the contemporary art scene.[8]
The piece comes back and looks horrible. The fabric was torn and stapled back together unevenly. We called Art Van to complain and were promised to be contacted by the manager. In the meantime we moved and didn't get a chance to call manager back.  We called back and were told manager would contact us. Nothing. I finally called the manager, Kathy Smith, today and received the worst treatment I've ever experienced from a store. Right away she had a chip on her should and said because it's been 8 months since original purchase, we couldn't get a replacement and basically it wasn't her problem. I wasn't rude and didn't say anything to anger her but she acted like I was trying to steal from her. I explained that if we could not get the piece replaced (which is ridiculous by itself), could we get a decent discount on the purchase of two new pieces? We need to get the reverse pieces for the new house and were hoping after all the inconvenience, that they could work with us since the original piece looks terrible from being serviced.
The self-portraits reflect an unusually high degree of self-scrutiny.[233] Often they were intended to mark important periods in his life, for example the mid-1887 Paris series were painted at the point where he became aware of Claude Monet, Paul Cezanne and Signac.[234] In Self-Portrait with Grey Felt Hat, heavy strains of paint spread outwards across the canvas. It is one of his most renowned self-portraits of that period, "with its highly organized rhythmic brushstrokes, and the novel halo derived from the Neo-impressionist repertoire was what Van Gogh himself called a 'purposeful' canvas".[235]
The police found van Gogh in his room the next morning, and admitted him to the Hôtel-Dieu hospital. Theo arrived on Christmas Day to see van Gogh, who was weak from blood loss and having violent seizures. The doctors assured Theo that his brother would live and would be taken good care of, and on January 7, 1889, van Gogh was released from the hospital. 
In Paris in 1901 a large Van Gogh retrospective was held at the Bernheim-Jeune Gallery, which excited André Derain and Maurice de Vlaminck, and contributed to the emergence of Fauvism.[269] Important group exhibitions took place with the Sonderbund artists in Cologne in 1912, the Armory Show, New York in 1913, and Berlin in 1914.[273] Henk Bremmer was instrumental in teaching and talking about Van Gogh,[274] and introduced Helene Kröller-Müller to Van Gogh's art; she became an avid collector of his work.[275] The early figures in German Expressionism such as Emil Nolde acknowledged a debt to Van Gogh's work.[276] Bremmer assisted Jacob Baart de la Faille, whose catalogue raisonné L'Oeuvre de Vincent van Gogh appeared in 1928.[277][note 15]
Between 1885 and his death in 1890, Van Gogh appears to have been building an oeuvre,[221] a collection that reflected his personal vision, and could be commercially successful. He was influenced by Blanc's definition of style, that a true painting required optimal use of colour, perspective and brushstrokes. Van Gogh applied the word "purposeful" to paintings he thought he had mastered, as opposed to those he thought of as studies.[222] He painted many series of studies;[218] most of which were still lifes, many executed as colour experiments or as gifts to friends.[223] The work in Arles contributed considerably to his oeuvre: those he thought the most important from that time were The Sower, Night Cafe, Memory of the Garden in Etten and Starry Night. With their broad brushstrokes, inventive perspectives, colours, contours and designs, these paintings represent the style he sought.[219]
Though The Dick Van Dyke Show got off to a slow start, it eventually developed quite a following; Van Dyke won over audiences with his good humor and likeability, and won three Emmy Awards for his work on the series. Decades after the show went off the air, in 1966, it remained a popular program in syndication. Following the show's end in 1966, Van Dyke starred on several other TV series, including The New Dick Van Dyke Show, but none captured the public's heart the way his first sitcom did.
Van Gogh made several painting excursions during visits to the landscape around Arles. He made paintings of harvests, wheat fields and other rural landmarks of the area, including The Old Mill (1888); a good example of a picturesque structure bordering the wheat fields beyond.[116] At various points, Van Gogh painted the view from his window – at The Hague, Antwerp, and Paris. These works culminated in The Wheat Field series, which depicted the view from his cells in the asylum at Saint-Rémy.[256]
In 1980, the company issued its first credit card and in 1985 the company introduced clearance centers attached to many of the stores offering overstocked merchandise.[3] In 2009, the company's half-centennial, Art Van Furniture was named furniture retailer of the year by Furniture Today magazine.[7] In 2013, the company made a $50 million investment in the State of Illinois to open a sequence of new establishments in the state.[8] In 2015 Patti Smith wrote about Art Van stores as a favorite hang-out of hers during the 1970s.[9] The CEO of the company is Ron Boire.[10] Art Van also operates Scott Shuptrine Interiors retail locations. In March 2017 the company was purchased by Thomas H. Lee Partners (THL) a private equity firm based in Boston.[1]
Absolutely terrible experience! We bought a sectional from here and initially the experience was good. Sasha, the salesperson was great to work with and patient. That quickly changed. The leg on the ottoman was broken so we had to get that fixed. When we went to move a few months later, we noticed the back of the couch was broken (the delivery guys put it against the wall so we had never seen it). We had it serviced and were without that piece for over a week.
The self-portraits reflect an unusually high degree of self-scrutiny.[233] Often they were intended to mark important periods in his life, for example the mid-1887 Paris series were painted at the point where he became aware of Claude Monet, Paul Cezanne and Signac.[234] In Self-Portrait with Grey Felt Hat, heavy strains of paint spread outwards across the canvas. It is one of his most renowned self-portraits of that period, "with its highly organized rhythmic brushstrokes, and the novel halo derived from the Neo-impressionist repertoire was what Van Gogh himself called a 'purposeful' canvas".[235]
On 27 July 1890, aged 37, Van Gogh shot himself in the chest with a 7mm Lefaucheux à broche revolver.[186][187] There were no witnesses and he died 30 hours after the incident.[160] The shooting may have taken place in the wheat field in which he had been painting, or a local barn.[188] The bullet was deflected by a rib and passed through his chest without doing apparent damage to internal organs – probably stopped by his spine. He was able to walk back to the Auberge Ravoux, where he was attended to by two doctors, but without a surgeon present the bullet could not be removed. The doctors tended to him as best they could, then left him alone in his room, smoking his pipe. The following morning Theo rushed to his brother's side, finding him in good spirits. But within hours Vincent began to fail, suffering from an untreated infection resulting from the wound. He died in the early hours of 29 July. According to Theo, Vincent's last words were: "The sadness will last forever".[189][190][191][192]

By 1963, Van Elslander owned seven stores and had taken on some partners, including his brother, Bob Van Elslander, Don Fox and Bob McEachin.[5] The following year, three of those stores were sold off, however Van Elslander expanded the chain in the 1970s and in 1973 the company purchased its headquarters in Warren, Michigan. Around that time, the company had fifteen stores in its chain. In the late 1970s opened several warehouses and a corporate training department. In 1977 the company opened stores outside of Detroit, in Flint and Lansing, Michigan.[6]
Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881, having moved back home with his parents. His younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, contain few signs of the vivid colour that distinguished his later work. In 1886, he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility. As his work developed he created a new approach to still lifes and local landscapes. His paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include series of olive trees, wheat fields and sunflowers.
The self-portraits reflect an unusually high degree of self-scrutiny.[233] Often they were intended to mark important periods in his life, for example the mid-1887 Paris series were painted at the point where he became aware of Claude Monet, Paul Cezanne and Signac.[234] In Self-Portrait with Grey Felt Hat, heavy strains of paint spread outwards across the canvas. It is one of his most renowned self-portraits of that period, "with its highly organized rhythmic brushstrokes, and the novel halo derived from the Neo-impressionist repertoire was what Van Gogh himself called a 'purposeful' canvas".[235] 

Van Gogh strove to be a painter of rural life and nature,[212] and during his first summer in Arles he used his new palette to paint landscapes and traditional rural life.[213] His belief that a power existed behind the natural led him to try to capture a sense of that power, or the essence of nature in his art, sometimes through the use of symbols.[214] His renditions of the sower, at first copied from Jean-François Millet, reflect Van Gogh's religious beliefs: the sower as Christ sowing life beneath the hot sun.[215] These were themes and motifs he returned to often to rework and develop.[216] His paintings of flowers are filled with symbolism, but rather than use traditional Christian iconography he made up his own, where life is lived under the sun and work is an allegory of life.[217] In Arles, having gained confidence after painting spring blossoms and learning to capture bright sunlight, he was ready to paint The Sower.[208]

After much pleading from Van Gogh, Gauguin arrived in Arles on 23 October, and in November the two painted together. Gauguin depicted Van Gogh in his The Painter of Sunflowers; Van Gogh painted pictures from memory, following Gauguin's suggestion. Among these "imaginative" paintings is Memory of the Garden at Etten.[132][note 8] Their first joint outdoor venture was at the Alyscamps, when they produced the pendants Les Alyscamps.[133] The single painting Gauguin completed during his visit was Van Gogh Painting Sunflowers.[134]
The exact sequence of events which led to Van Gogh's mutilation of his ear is not known. Gauguin stated, fifteen years later, that the night followed several instances of physically threatening behaviour.[138] Their relationship was complex, and Theo may have owed money to Gauguin, who was suspicious that the brothers were exploiting him financially.[139] It seems likely that Van Gogh had realised that Gauguin was planning to leave.[139] The following days saw heavy rain, leading to the two men being shut in the Yellow House.[140] Gauguin reported that Van Gogh followed when Gauguin left the house for a walk, and "rushed towards me, an open razor in his hand".[140] This account is uncorroborated;[141] Gauguin was almost certainly absent from the Yellow House that night, most likely in a hotel.[140] 

In November 1959, Van Dyke made his Broadway debut in The Girls Against the Boys. He then played the lead role of Albert Peterson in Bye Bye Birdie, which ran from April 14, 1960, to October 7, 1961. In a May 2011 interview with Rachael Ray, Van Dyke said that when he auditioned for a smaller part in the show he had no experience as a dancer, and that after he sang his audition song he did an impromptu soft-shoe out of sheer nervousness. Gower Champion, the show's director and choreographer, was watching, and promptly went up on stage to inform Van Dyke he had the lead. An astonished Van Dyke protested that he could not dance, to which Champion replied: "We'll teach you". That musical won four Tony awards including Van Dyke's Best Featured Actor Tony, in 1961.[16] In 1980, Van Dyke appeared as the title role in the first Broadway revival of The Music Man.[17]
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