Van Gogh wrote that with The Night Café he tried "to express the idea that the café is a place where one can ruin oneself, go mad, or commit a crime". When he visited Saintes-Maries-de-la-Mer in June, he gave lessons to a Zouave second lieutenant – Paul-Eugène Milliet – and painted boats on the sea and the village. MacKnight introduced Van Gogh to Eugène Boch, a Belgian painter who sometimes stayed in Fontvieille, and the two exchanged visits in July.
In 2017, Van Dyke released his first solo album since 1963's "Songs I Like." The album, "Step (Back) In Time," was produced by Bill Bixler (who also played sax), with arrangements by Dave Enos (who also played bass) and features noted musicians John Ferraro (Drums), Tony Guerrero (Trumpet & Vocal duet), Mark LeBrun (Piano), Charley Pollard (Trombone) and Leslie Bixler (Vocals). "Step (Back) In Time" was released by BixMix Records and showcases Van Dyke in a jazz and big band setting on classic songs from the 1920s, 1930s and 1940s.
I've found a home here because actors have always said, 'He's really a dancer', and dancers said, 'No, no he's a singer', and singers said, 'No I think he's an actor.' I don't know, I was never that good at anything but I did a little bit of it all. I've never studied dancing but I've always loved to dance. I never sang anywhere except the shower and it took me forever to get into the high school choir. When I auditioned for Bye Bye Birdie (1963) I did a song and a little soft-shoe and for some reason they saw I could move. And I've never studied acting - which is maybe lucky otherwise I'd just be a copy of everybody else.
Van Gogh had many influences on his life including his family and friends, other artists such as Paul Gauguin, and his failing mental and physical health. To see how each of these affected his life, please visit the Important Figures, Artistic Influences and Health sections. For information about how Van Gogh's work has impacted our society today, view the Impact on Art, Cultural References, and News sections.
The original version of the Vans skateboard logo was designed in Costa Mesa, California in the 1970s by Mark Van Doren at the age of 13. The son of then President and co-owner James Van Doren, Mark designed the logo as a stencil to be spray painted on his skateboards. Initially introduced for the heel tab on an early Vans’ skateboard shoe, the Style 95, this original Vans skateboard logo is an important part of Vans history.”
Gogh, Vincent van: Landscape at Saint-Rémy (Enclosed Field with Peasant)Landscape at Saint-Rémy (Enclosed Field with Peasant), oil on canvas by Vincent van Gogh, 1889; in the Indianapolis Museum of Art. 73.66 × 92.07 cm.Photograph by Jenny O'Donnell. Indianapolis Museum of Art, gift of Mrs James W. Fesler in memory of Daniel W. and Elizabeth C. Marmon, 44.74
Vincent Willem van Gogh was born on 30 March 1853 into a Dutch Reformed family in Groot-Zundert, in the predominantly Catholic province of North Brabant in the southern Netherlands. He was the oldest surviving child of Theodorus van Gogh, a minister of the Dutch Reformed Church, and Anna Cornelia Carbentus. Van Gogh was given the name of his grandfather, and of a brother stillborn exactly a year before his birth.[note 2] Vincent was a common name in the Van Gogh family: his grandfather, Vincent (1789–1874), who received a degree in theology at the University of Leiden in 1811, had six sons, three of whom became art dealers. This Vincent may have been named after his own great-uncle, a sculptor (1729–1802).
I was an alcoholic for about twenty-five years. In the Fifties and Sixties, everybody had their martini, everybody smoked incessantly. The funny thing is that all through my twenties and early thirties I didn't drink at all. Then we moved to a neighborhood full of young families with the same age kids and everyone drank heavily, there were big parties every night. I would go to work with terrible hangovers which if you're dancing is really hard. I was in deep trouble, you get suicidal and think you just can't go on. I had suicidal feelings, it was just terrible. But then suddenly, like a blessing, the drink started not to taste good. I would feel a little dizzy and a little nauseous and I wasn't getting the click. Today I wouldn't want a drink for anything. But I do occasionally think of taking a nice drag. I've been on this gum for ten years and it's just as addictive but at least it's not hurting my lungs. (2013)
In preparation for Gauguin's visit, Van Gogh bought two beds on advice from the station's postal supervisor Joseph Roulin, whose portrait he painted. On 17 September he spent his first night in the still sparsely furnished Yellow House. When Gauguin consented to work and live in Arles with him, Van Gogh started to work on the Décoration for the Yellow House, probably the most ambitious effort he ever undertook. He completed two chair paintings: Van Gogh's Chair and Gauguin's Chair.
The self-portraits reflect an unusually high degree of self-scrutiny. Often they were intended to mark important periods in his life, for example the mid-1887 Paris series were painted at the point where he became aware of Claude Monet, Paul Cezanne and Signac. In Self-Portrait with Grey Felt Hat, heavy strains of paint spread outwards across the canvas. It is one of his most renowned self-portraits of that period, "with its highly organized rhythmic brushstrokes, and the novel halo derived from the Neo-impressionist repertoire was what Van Gogh himself called a 'purposeful' canvas".
There are more than 600 letters from Vincent to Theo and around 40 from Theo to Vincent. There are 22 to his sister Wil, 58 to the painter Anthon van Rappard, 22 to Émile Bernard as well as individual letters to Paul Signac, Paul Gauguin and the critic Albert Aurier. Some are illustrated with sketches. Many are undated, but art historians have been able to place most in chronological order. Problems in transcription and dating remain, mainly with those posted from Arles. While there Vincent wrote around 200 letters in Dutch, French and English. There is a gap in the record when he lived in Paris as the brothers lived together and had no need to correspond.
What particularly struck me when I saw the old Dutch paintings again is that they were usually painted quickly. That these great masters like Hals, Rembrandt, Ruisdael – so many others – as far as possible just put it straight down – and didn't come back to it so very much. And – this, too, please – that if it worked, they left it alone. Above all I admired hands by Rembrandt and Hals – hands that lived, but were not finished in the sense that people want to enforce nowadays ... In the winter I'm going to explore various things regarding manner that I noticed in the old paintings. I saw a great deal that I needed. But this above all things – what they call – dashing off – you see that's what the old Dutch painters did famously. That – dashing off – with a few brushstrokes, they won't hear of it now – but how true the results are.
Van Gogh returned to Etten in April 1881 for an extended stay with his parents. He continued to draw, often using his neighbours as subjects. In August 1881, his recently widowed cousin, Cornelia "Kee" Vos-Stricker, daughter of his mother's older sister Willemina and Johannes Stricker, arrived for a visit. He was thrilled and took long walks with her. Kee was seven years older than he was, and had an eight-year-old son. Van Gogh surprised everyone by declaring his love to her and proposing marriage. She refused with the words "No, nay, never" ("nooit, neen, nimmer"). After Kee returned to Amsterdam, Van Gogh went to The Hague to try to sell paintings and to meet with his second cousin, Anton Mauve. Mauve was the successful artist Van Gogh longed to be. Mauve invited him to return in a few months, and suggested he spend the intervening time working in charcoal and pastels; Van Gogh went back to Etten and followed this advice.
Van Gogh painted several landscapes with flowers, including roses, lilacs, irises, and sunflowers. Some reflect his interests in the language of colour, and also in Japanese ukiyo-e. There are two series of dying sunflowers. The first was painted in Paris in 1887 and shows flowers lying on the ground. The second set was completed a year later in Arles, and is of bouquets in a vase positioned in early morning light. Both are built from thickly layered paintwork, which, according to the London National Gallery, evoke the "texture of the seed-heads".
On 27 July 1890, aged 37, Van Gogh shot himself in the chest with a 7mm Lefaucheux à broche revolver. There were no witnesses and he died 30 hours after the incident. The shooting may have taken place in the wheat field in which he had been painting, or a local barn. The bullet was deflected by a rib and passed through his chest without doing apparent damage to internal organs – probably stopped by his spine. He was able to walk back to the Auberge Ravoux, where he was attended to by two doctors, but without a surgeon present the bullet could not be removed. The doctors tended to him as best they could, then left him alone in his room, smoking his pipe. The following morning Theo rushed to his brother's side, finding him in good spirits. But within hours Vincent began to fail, suffering from an untreated infection resulting from the wound. He died in the early hours of 29 July. According to Theo, Vincent's last words were: "The sadness will last forever".
Dick Van Dyke was born Richard Wayne Van Dyke in West Plains, Missouri, to Hazel Victoria (McCord), a stenographer, and Loren Wayne Van Dyke, a salesman. His younger brother is entertainer Jerry Van Dyke. His ancestry includes English, Scottish, German, Swiss-German, and Dutch. Although he'd had small roles beforehand, Van Dyke was launched to stardom in the 1960 musical "Bye-Bye Birdie", for which he won a Tony Award, and, then, later in the movie based on that play, Bye Bye Birdie (1963). He has starred in a number of films throughout the years including Mary Poppins (1964), Chitty Chitty Bang Bang (1968) and Fitzwilly (1967), as well as a number of successful television series which won him no less than four Emmys and three made-for-CBS movies. After separating from his wife, Margie Willett, in the 1970s, Dick later became involved with Michelle Triola. Margie and Dick had four children born during the first ten years of their marriage: Barry Van Dyke; Carrie Beth van Dyke; Christian Van Dyke and Stacy Van Dyke, all of whom are now in their forties and married themselves. He has seven grandchildren, including Shane Van Dyke, Carey Van Dyke, Wes Van Dyke and Taryn Van Dyke (Barry's children) and family members often appear with him on Diagnosis Murder (1993). See full bio on IMDb »
In 1959, Van Dyke landed a small part in the Broadway comedy review Girls Against the Boys. The show only lasted two weeks, and he soon moved on to another production. Along with Chita Rivera, Paul Lynde and Charles Nelson Reilly, Van Dyke was cast in the musical Bye Bye Birdie, which made its Broadway debut in 1960. The musical proved to a big hit, and it brought Van Dyke his one and only Tony Award win in 1961, for his supporting role. Not long after, his career took off.
Van Gogh's gaze is seldom directed at the viewer. The portraits vary in intensity and colour, and in those painted after December 1888 especially, the vivid colours highlight the haggard pallor of his skin. Some depict the artist with a beard, others without. He can be seen with bandages in portraits executed just after he mutilated his ear. In only a few does he depict himself as a painter. Those painted in Saint-Rémy show the head from the right, the side opposite his damaged ear, as he painted himself reflected in his mirror.
In December 1888 he painted La Berceuse – a figure that he thought as good as his sunflowers. It has a limited palette, varied brushstrokes and simple contours. It appears to be a culmination of portraits of the Roulin family completed in Arles between November and December. The portraits show a shift in style from the fluid, restrained brushstrokes and even surface of Portrait of the Postman to the frenetic style, rough surface, broad brushstrokes and use of a palette knife in Madame Roulin with Baby.
Largely on the basis of the works of the last three years of his life, van Gogh is generally considered one of the greatest Dutch painters of all time. His work exerted a powerful influence on the development of much modern painting, in particular on the works of the Fauve painters, Chaim Soutine, and the German Expressionists. Yet of the more than 800 oil paintings and 700 drawings that constitute his life’s work, he sold only one in his lifetime. Always desperately poor, he was sustained by his faith in the urgency of what he had to communicate and by the generosity of Theo, who believed in him implicitly. The letters that he wrote to Theo from 1872 onward, and to other friends, give such a vivid account of his aims and beliefs, his hopes and disappointments, and his fluctuating physical and mental state that they form a unique and touching biographical record that is also a great human document.
In April 1876 he returned to England to take unpaid work as a supply teacher in a small boarding school in Ramsgate. When the proprietor moved to Isleworth in Middlesex, Van Gogh went with him. The arrangement did not work out and he left to become a Methodist minister's assistant. His parents had meanwhile moved to Etten; in 1876 he returned home at Christmas for six months and took work at a bookshop in Dordrecht. He was unhappy in the position and spent his time doodling or translating passages from the Bible into English, French and German. He immersed himself in religion, and became increasingly pious and monastic. According to his flatmate of the time, Paulus van Görlitz, Van Gogh ate frugally, avoiding meat.
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Theo died in January 1891, removing Vincent's most vocal and well-connected champion. Theo's widow Johanna van Gogh-Bonger was a Dutchwoman in her twenties who had not known either her husband or her brother-in law very long and who suddenly had to take care of several hundreds of paintings, letters and drawings, as well as her infant son, Vincent Willem van Gogh.[note 14] Gauguin was not inclined to offer assistance in promoting Van Gogh's reputation, and Johanna's brother Andries Bonger also seemed lukewarm about his work. Aurier, one of Van Gogh's earliest supporters among the critics, died of typhoid fever in 1892 at the age of twenty-seven.
The name of van Gogh was virtually unknown when he killed himself: only one article about him had appeared during his lifetime. He had exhibited a few canvases at the Salon des Indépendants in Paris between 1888 and 1890 and in Brussels in 1890; both salons showed small commemorative groups of his work in 1891. One-man shows of his work did not occur until 1892.
Van Gogh was a serious and thoughtful child. He was taught at home by his mother and a governess, and in 1860 was sent to the village school. In 1864 he was placed in a boarding school at Zevenbergen, where he felt abandoned, and campaigned to come home. Instead, in 1866 his parents sent him to the middle school in Tilburg, where he was deeply unhappy. His interest in art began at a young age. He was encouraged to draw as a child by his mother, and his early drawings are expressive, but do not approach the intensity of his later work. Constant Cornelis Huijsmans, who had been a successful artist in Paris, taught the students at Tilburg. His philosophy was to reject technique in favour of capturing the impressions of things, particularly nature or common objects. Van Gogh's profound unhappiness seems to have overshadowed the lessons, which had little effect. In March 1868 he abruptly returned home. He later wrote that his youth was "austere and cold, and sterile".
Van Dyke left high school in 1944, his senior year, intending to join the United States Army Air Forces for pilot training during World War II. Denied enlistment several times for being underweight, he was eventually accepted for service as a radio announcer before transferring to the Special Services and entertaining troops in the continental United States. He received his high school diploma in 2004 at the age of 78.