There have been numerous debates as to the nature of Van Gogh's illness and its effect on his work, and many retrospective diagnoses have been proposed. The consensus is that Van Gogh had an episodic condition with periods of normal functioning.[195] Perry was the first to suggest bipolar disorder in 1947,[196] and this has been supported by the psychiatrists Hemphill and Blumer.[197][198] Biochemist Wilfred Arnold has countered that the symptoms are more consistent with acute intermittent porphyria, noting that the popular link between bipolar disorder and creativity might be spurious.[195] Temporal lobe epilepsy with bouts of depression has also been suggested.[198] Whatever the diagnosis, his condition was likely worsened by malnutrition, overwork, insomnia and alcohol.[198]
The self-portraits reflect an unusually high degree of self-scrutiny.[233] Often they were intended to mark important periods in his life, for example the mid-1887 Paris series were painted at the point where he became aware of Claude Monet, Paul Cezanne and Signac.[234] In Self-Portrait with Grey Felt Hat, heavy strains of paint spread outwards across the canvas. It is one of his most renowned self-portraits of that period, "with its highly organized rhythmic brushstrokes, and the novel halo derived from the Neo-impressionist repertoire was what Van Gogh himself called a 'purposeful' canvas".[235]
During the first days of his treatment, Van Gogh repeatedly and unsuccessfully asked for Gauguin, who asked a policeman attending the case to "be kind enough, Monsieur, to awaken this man with great care, and if he asks for me tell him I have left for Paris; the sight of me might prove fatal for him."[153] Gauguin fled Arles, never to see Van Gogh again. They continued to correspond and in 1890 Gauguin proposed they form a studio in Antwerp. Meanwhile, other visitors to the hospital included Marie Ginoux and Roulin.[154]

In Nuenen, Van Gogh focused on painting and drawing. Working outside and very quickly, he completed sketches and paintings of weavers and their cottages.[82] From August 1884, Margot Begemann, a neighbour's daughter ten years his senior, joined him on his forays; she fell in love and he reciprocated, though less enthusiastically. They wanted to marry, but neither side of their families were in favour. Margot was distraught and took an overdose of strychnine, but survived after Van Gogh rushed her to a nearby hospital.[75] On 26 March 1885, his father died of a heart attack.[83]


Among Van Dyke's high school classmates in Danville were Donald O'Connor and Bobby Short, both of whom would go on to successful careers as entertainers.[10] One of his closest friends was a cousin of Gene Hackman, the future actor, who also lived in Danville in those years.[10] Van Dyke's mother's family was very religious, and for a brief period in his youth, he considered a career in ministry, although a drama class in high school convinced him that his true calling was as a professional entertainer.[10] In his autobiography, he wrote, "I suppose that I never completely gave up my childhood idea of being a minister. Only the medium and the message changed. I have still endeavored to touch people's souls, to raise their spirits and put smiles on their faces."[10] Even after the launch of his career as an entertainer, he taught Sunday school in the Presbyterian Church, where he was an elder, and he continued to read such theologians as Buber, Tillich, and Bonhoeffer, who helped explain in practical terms the relevance of religion in everyday life.[10]
Along that same vein, in August 2013, reports about a new health scare involving Van Dyke were circulating worldwide. According to reports, a sports car that Van Dyke was operating on L.A.'s 101 Freeway suddenly burst into flames on August 19, leaving the actor trapped inside the burning vehicle until a passing motorist who had witnessed the accident could come to his aid. Thanks to the passerby, Jason Pennington, Van Dyke left the scene of the accident unscathed—not only did the actor walk away uninjured and needing no medical treatment, he did not receive a citation for the incident, according to The Associated Press. According to some reports, Van Dyke had reported engine trouble with the vehicle the previous day, on August 18.
I remember in the book that Caractacus was married. There was no love interest, no love story. So I think bringing Truly Scrumptious in works very well because we had assumed he was a widower. And they couldn't have picked a better Truly Scrumptious than Sally [Sally Ann Howes]. They came up with Sally Ann and I heard her voice, and it was the richest contralto. She auditioned with "The Lovely Lonely Man" and I thought, "My God, this girl is great!" and then she was stunningly beautiful. She loved those kids and they loved her, which I think comes across on the screen. They just thought a great deal of her and she spent a lot of time with them, you know, between shots - telling stories and playing games during all those long waiting periods.
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Van Gogh made several painting excursions during visits to the landscape around Arles. He made paintings of harvests, wheat fields and other rural landmarks of the area, including The Old Mill (1888); a good example of a picturesque structure bordering the wheat fields beyond.[116] At various points, Van Gogh painted the view from his window – at The Hague, Antwerp, and Paris. These works culminated in The Wheat Field series, which depicted the view from his cells in the asylum at Saint-Rémy.[256]

We also love our new sectional! Art Van had a ton of options to choose from and it took us a second visit to nail down which one we wanted most. Pretty much everything can be customized from fabric to power options as well, which worked in our favor. They offer great long warranties, too, which was important to us since we have a dog. We were able to find a sectional with a chaise, center console, and power reclining seats which was so hard to find any where else. We got exactly what we wanted.


The pictures he created over the following 12 months—depicting blossoming fruit trees, views of the town and surroundings, self-portraits, portraits of Roulin the postman and other friends, interiors and exteriors of the house, sunflowers, and landscapes—marked his first great period. In these works he strove to respect the external, visual aspect of a figure or landscape but found himself unable to suppress his own feelings about the subject, which found expression in emphatic contours and heightened effects of colour. Once hesitant to diverge from the traditional techniques of painting he worked so hard to master, he now gave free rein to his individuality and began squeezing his tubes of oil paint directly on the canvas. Van Gogh’s style was spontaneous and instinctive, for he worked with great speed and intensity, determined to capture an effect or a mood while it possessed him. “When anyone says that such and such [painting] is done too quickly,” he told his brother, “you can reply that they have looked at it too fast.”
In despair of ever being able to overcome his loneliness or be cured, van Gogh shot himself. He did not die immediately. When found wounded in his bed, he allegedly said, “I shot myself.…I only hope I haven’t botched it.” That evening, when interrogated by the police, van Gogh refused to answer questions, saying, “What I have done is nobody else’s business. I am free to do what I like with my own body.”
In preparation for Gauguin's visit, Van Gogh bought two beds on advice from the station's postal supervisor Joseph Roulin, whose portrait he painted. On 17 September he spent his first night in the still sparsely furnished Yellow House.[129] When Gauguin consented to work and live in Arles with him, Van Gogh started to work on the Décoration for the Yellow House, probably the most ambitious effort he ever undertook.[130] He completed two chair paintings: Van Gogh's Chair and Gauguin's Chair.[131]
Van Gogh learned about Fernand Cormon's atelier from Theo.[107] He worked at the studio in April and May 1886,[108] where he frequented the circle of the Australian artist John Peter Russell, who painted his portrait in 1886.[109] Van Gogh also met fellow students Émile Bernard, Louis Anquetin and Henri de Toulouse-Lautrec – who painted a portrait of him in pastel. They met at Julien "Père" Tanguy's paint shop,[108] (which was, at that time, the only place where Paul Cézanne's paintings were displayed). In 1886, two large exhibitions were staged there, showing Pointillism and Neo-impressionism for the first time, and bringing attention to Georges Seurat and Paul Signac. Theo kept a stock of Impressionist paintings in his gallery on boulevard Montmartre, but Van Gogh was slow to acknowledge the new developments in art.[110]
Van Dyke publicly endorsed Bernie Sanders as his choice for the Democratic candidate in the 2016 US presidential election. Van Dyke, a New Deal Democrat, had not actively campaigned for a candidate since Eugene McCarthy in 1968.[59] In July 2016, Van Dyke said of Donald Trump, "He has been a magnet to all the racists and xenophobes in the country, I haven't been this scared since the Cuban Missile Crisis. I think the human race is hanging in a delicate balance right now, and I'm just so afraid he will put us in a war. He scares me."[60]
His film work affected his TV career: the reviews he received for his role as D.A. Fletcher in Dick Tracy led him to star as the character Dr. Mark Sloan first in an episode of Jake and the Fatman, then in a series of TV movies on CBS that became the foundation for his popular television drama Diagnosis: Murder. The series ran from 1993 to 2001 with son Barry Van Dyke co-starring in the role of Dr. Sloan's son Lieutenant Detective Steve Sloan. Also starring on the same show was daytime soap actress Victoria Rowell as Dr. Sloan's pathologist/medical partner, Dr. Amanda Bentley, and Charlie Schlatter in the role of Dr. Sloan's student, Dr. Jesse Travis.[29] Van Dyke continued to find television work after the show ended, including a dramatically and critically successful performance of The Gin Game, produced for television in 2003 that reunited him with Mary Tyler Moore. In 2003, he portrayed a doctor on Scrubs. A 2004 special of The Dick Van Dyke Show titled The Dick Van Dyke Show Revisited was heavily promoted as the first new episode of the classic series to be shown in 38 years. Van Dyke and his surviving cast members recreated their roles; although nominated for a Primetime Emmy,[30][31][better source needed] the program was roundly panned by critics. In 2006 he guest-starred as college professor Dr. Jonathan Maxwell for a series of Murder 101 mystery films on the Hallmark Channel.

We bought a bedroom set and was very excited to get it delivered. However, when it got delivered, we realized that the salesperson failed to tell us that we needed a bunky board rather than a box spring, and the bed was 5 feet tall with the platform! (Keeping in mind I bought all the pieces of furniture from the same company). The bed was as tall as me! I called the company while the delivery guys were still here, but the salesperson said she would call me back and never did. I finally got ahold of the manager the next day, who was going to charge me another $100 for the exchange and delivery. I later found out that the bunky board was simply a piece of plywood that you can easily buy for much cheaper, and that this situation happened to people all the time; especially to elderly people.
Many of the comedy films Van Dyke starred in throughout the 1960s were relatively unsuccessful at the box office, including What a Way to Go! with Shirley MacLaine, Lt. Robin Crusoe, U.S.N., Fitzwilly, The Art of Love with James Garner and Elke Sommer, Some Kind of a Nut, Never a Dull Moment with Edward G. Robinson, and Divorce American Style with Debbie Reynolds and Jean Simmons. But he also starred as Caractacus Pott (with his native accent, at his own insistence, despite the English setting) in the successful musical version of Ian Fleming's Chitty Chitty Bang Bang (1968), which co-starred Sally Ann Howes and featured the same songwriters (The Sherman Brothers) and choreographers (Marc Breaux and Dee Dee Wood) as Mary Poppins.
Dick Van Dyke was born Richard Wayne Van Dyke in West Plains, Missouri, to Hazel Victoria (McCord), a stenographer, and Loren Wayne Van Dyke, a salesman. His younger brother is entertainer Jerry Van Dyke. His ancestry includes English, Scottish, German, Swiss-German, and Dutch. Although he'd had small roles beforehand, Van Dyke was launched to stardom in the 1960 musical "Bye-Bye Birdie", for which he won a Tony Award, and, then, later in the movie based on that play, Bye Bye Birdie (1963). He has starred in a number of films throughout the years including Mary Poppins (1964), Chitty Chitty Bang Bang (1968) and Fitzwilly (1967), as well as a number of successful television series which won him no less than four Emmys and three made-for-CBS movies. After separating from his wife, Margie Willett, in the 1970s, Dick later became involved with Michelle Triola. Margie and Dick had four children born during the first ten years of their marriage: Barry Van Dyke; Carrie Beth van Dyke; Christian Van Dyke and Stacy Van Dyke, all of whom are now in their forties and married themselves. He has seven grandchildren, including Shane Van Dyke, Carey Van Dyke, Wes Van Dyke and Taryn Van Dyke (Barry's children) and family members often appear with him on Diagnosis Murder (1993).  See full bio on IMDb »
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Van Gogh worked hard and methodically but soon perceived the difficulty of self-training and the need to seek the guidance of more experienced artists. Late in 1881 he settled at The Hague to work with a Dutch landscape painter, Anton Mauve. He visited museums and met with other painters. Van Gogh thus extended his technical knowledge and experimented with oil paint in the summer of 1882. In 1883 the urge to be “alone with nature” and with peasants took him to Drenthe, an isolated part of the northern Netherlands frequented by Mauve and other Dutch artists, where he spent three months before returning home, which was then at Nuenen, another village in the Brabant. He remained at Nuenen during most of 1884 and 1885, and during these years his art grew bolder and more assured. He painted three types of subjects—still life, landscape, and figure—all interrelated by their reference to the daily life of peasants, to the hardships they endured, and to the countryside they cultivated. Émile Zola’s Germinal (1885), a novel about the coal-mining region of France, greatly impressed van Gogh, and sociological criticism is implicit in many of his pictures from this period—e.g., Weavers and The Potato Eaters. Eventually, however, he felt too isolated in Nuenen.

Dick Van Dyke was born Richard Wayne Van Dyke in West Plains, Missouri, to Hazel Victoria (McCord), a stenographer, and Loren Wayne Van Dyke, a salesman. His younger brother is entertainer Jerry Van Dyke. His ancestry includes English, Scottish, German, Swiss-German, and Dutch. Although he'd had small roles beforehand, Van Dyke was launched to ... See full bio »
I've found a home here because actors have always said, 'He's really a dancer', and dancers said, 'No, no he's a singer', and singers said, 'No I think he's an actor.' I don't know, I was never that good at anything but I did a little bit of it all. I've never studied dancing but I've always loved to dance. I never sang anywhere except the shower and it took me forever to get into the high school choir. When I auditioned for Bye Bye Birdie (1963) I did a song and a little soft-shoe and for some reason they saw I could move. And I've never studied acting - which is maybe lucky otherwise I'd just be a copy of everybody else.
His artistic career was extremely short, lasting only the 10 years from 1880 to 1890. During the first four years of this period, while acquiring technical proficiency, he confined himself almost entirely to drawings and watercolours. First, he went to study drawing at the Brussels Academy; in 1881 he moved to his father’s parsonage at Etten, Netherlands, and began to work from nature.
Theo criticised The Potato Eaters for its dark palette, which he thought unsuitable for a modern style.[206] During Van Gogh's stay in Paris between 1886 and 1887, he tried to master a new, lighter palette. His Portrait of Père Tanguy (1887) shows his success with the brighter palette, and is evidence of an evolving personal style.[207] Charles Blanc's treatise on colour interested him greatly, and led him to work with complementary colours. Van Gogh came to believe that the effect of colour went beyond the descriptive; he said that "colour expresses something in itself".[208][209] According to Hughes, Van Gogh perceived colour as having a "psychological and moral weight", as exemplified in the garish reds and greens of The Night Cafe, a work he wanted to "express the terrible passions of humanity".[210] Yellow meant the most to him, because it symbolised emotional truth. He used yellow as a symbol for sunlight, life, and God.[211]
In mid-1889, and at his sister Wil's request, Van Gogh painted several smaller versions of Wheat Field with Cypresses.[249] The works are characterised by swirls and densely painted impasto, and include The Starry Night, in which cypresses dominate the foreground.[246] In addition to this, other notable works on cypresses include Cypresses (1889), Cypresses with Two Figures (1889–90), and Road with Cypress and Star (1890).[250]
I asked Fred Astaire once when he was about my age if he still danced and he said 'Yes, but it hurts now.' That's exactly it. I can still dance too but it hurts now! I've always kept moving. I was at the gym at six this morning. Of course marrying a beautiful young woman has been a big help. There are so many years between us and we don't feel it. I'm emotionally immature and she's very wise for her age so we kind of meet in the middle.
From 1961 to 1966, Van Dyke starred in the CBS sitcom The Dick Van Dyke Show, in which he portrayed a comedy writer named Rob Petrie. Originally the show was supposed to have Carl Reiner as the lead but CBS insisted on recasting and Reiner chose Van Dyke to replace him in the role.[21] Complementing Van Dyke was a veteran cast of comic actors including Rose Marie, Morey Amsterdam, Jerry Paris, Ann Morgan Guilbert, Richard Deacon, and Carl Reiner (as Alan Brady), as well as 23-year-old Mary Tyler Moore, who played Rob's wife Laura Petrie. Van Dyke won three Emmy Awards as Outstanding Lead Actor in a Comedy Series, and the series received four Emmy Awards as Outstanding Comedy Series.[23]
Van Dyke made headlines again in April 2013, this time for an incident of a much different kind—one posing a threat to the actor's life, not celebrating it the way the prestigious event had just weeks earlier. The legendary performer announced that he was suffering from an "undiagnosed neurological disorder," posting on his Twitter page: "My head bangs every time I lay down. I've had every test come back that I'm perfectly healthy. Anybody got any ideas?" The famed TV personality was reportedly advised by his doctor to avoid plane travel and rest until further tests could be conducted to pinpoint the direct cause of his head pain.

I've found a home here because actors have always said, 'He's really a dancer', and dancers said, 'No, no he's a singer', and singers said, 'No I think he's an actor.' I don't know, I was never that good at anything but I did a little bit of it all. I've never studied dancing but I've always loved to dance. I never sang anywhere except the shower and it took me forever to get into the high school choir. When I auditioned for Bye Bye Birdie (1963) I did a song and a little soft-shoe and for some reason they saw I could move. And I've never studied acting - which is maybe lucky otherwise I'd just be a copy of everybody else. 
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