Just purchased a entertainment center from Art Van and my experience was decent. Didn't like the idea of $100 delivery fee to deliver around the corner with a piece of furniture I still had to put together myself. Didn't make much sense there so I just picked it up and the warehouse guys were cool. Sales staff wasn't good for much to be honest with you but the girls in the office helped with 98% of what I needed.
What particularly struck me when I saw the old Dutch paintings again is that they were usually painted quickly. That these great masters like Hals, Rembrandt, Ruisdael – so many others – as far as possible just put it straight down – and didn't come back to it so very much. And – this, too, please – that if it worked, they left it alone. Above all I admired hands by Rembrandt and Hals – hands that lived, but were not finished in the sense that people want to enforce nowadays ... In the winter I'm going to explore various things regarding manner that I noticed in the old paintings. I saw a great deal that I needed. But this above all things – what they call – dashing off – you see that's what the old Dutch painters did famously. That – dashing off – with a few brushstrokes, they won't hear of it now – but how true the results are.
Van Gogh's fame reached its first peak in Austria and Germany before World War I, helped by the publication of his letters in three volumes in 1914. His letters are expressive and literate, and have been described as among the foremost 19th-century writings of their kind. These began a compelling mythology of Van Gogh as an intense and dedicated painter who suffered for his art and died young. In 1934, the novelist Irving Stone wrote a biographical novel of Van Gogh's life titled Lust for Life, based on Van Gogh's letters to Theo. This novel and the 1956 film further enhanced his fame, especially in the United States where Stone surmised only a few hundred people had heard of van Gogh prior to his surprise best-selling book.
In April 1876 he returned to England to take unpaid work as a supply teacher in a small boarding school in Ramsgate. When the proprietor moved to Isleworth in Middlesex, Van Gogh went with him. The arrangement did not work out and he left to become a Methodist minister's assistant. His parents had meanwhile moved to Etten; in 1876 he returned home at Christmas for six months and took work at a bookshop in Dordrecht. He was unhappy in the position and spent his time doodling or translating passages from the Bible into English, French and German. He immersed himself in religion, and became increasingly pious and monastic. According to his flatmate of the time, Paulus van Görlitz, Van Gogh ate frugally, avoiding meat.
Van Dyke received a Grammy Award in 1964, along with Julie Andrews, for his performance on the soundtrack to Mary Poppins. In 1970, he published Faith, Hope and Hilarity: A Child's Eye View of Religion a book of humorous anecdotes based largely on his experiences as a Sunday School teacher. Van Dyke was principal in "KXIV Inc." and owned 1400 AM KXIV in Phoenix (later KSUN) from 1965 to 1985.
Van Dyke left high school in 1944, his senior year, intending to join the United States Army Air Forces for pilot training during World War II. Denied enlistment several times for being underweight, he was eventually accepted for service as a radio announcer before transferring to the Special Services and entertaining troops in the continental United States. He received his high school diploma in 2004 at the age of 78.
^ Theo and his wife, Gachet and his son, and Signac, who all saw Van Gogh after the bandages were removed, maintained that only the earlobe had been removed. According to Doiteau and Leroy, the diagonal cut removed the lobe and probably a little more. The policeman and Rey both claimed Van Gogh severed the entire outer ear; Rey repeated his account in 1930, writing a note for novelist Irving Stone and including a sketch of the line of the incision.
In November 1959, Van Dyke made his Broadway debut in The Girls Against the Boys. He then played the lead role of Albert Peterson in Bye Bye Birdie, which ran from April 14, 1960, to October 7, 1961. In a May 2011 interview with Rachael Ray, Van Dyke said that when he auditioned for a smaller part in the show he had no experience as a dancer, and that after he sang his audition song he did an impromptu soft-shoe out of sheer nervousness. Gower Champion, the show's director and choreographer, was watching, and promptly went up on stage to inform Van Dyke he had the lead. An astonished Van Dyke protested that he could not dance, to which Champion replied: "We'll teach you". That musical won four Tony awards including Van Dyke's Best Featured Actor Tony, in 1961. In 1980, Van Dyke appeared as the title role in the first Broadway revival of The Music Man.