Van Gogh's gaze is seldom directed at the viewer. The portraits vary in intensity and colour, and in those painted after December 1888 especially, the vivid colours highlight the haggard pallor of his skin.[232] Some depict the artist with a beard, others without. He can be seen with bandages in portraits executed just after he mutilated his ear. In only a few does he depict himself as a painter.[230] Those painted in Saint-Rémy show the head from the right, the side opposite his damaged ear, as he painted himself reflected in his mirror.[236][237]
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Van Dyke was born on December 13, 1925, in West Plains, Missouri,[4] to Hazel Victoria (née McCord; 1896 – 1992), a stenographer, and Loren Wayne "Cookie" Van Dyke (1898–1976), a salesman.[5][6][7] He grew up in Danville, Illinois. He is the older brother of actor Jerry Van Dyke (1931–2018), who is best known for a role on the TV series Coach. Van Dyke has Dutch, English, Irish, and Scottish ancestry,[8] with a family line that traces back to Mayflower passenger John Alden.[9]
On January 27, 2013, at the age of 87, Van Dyke received the 2013 Screen Actors Guild Life Achievement Award. During his acceptance speech, Van Dyke reminisced about his work over the years as an entertainer and stated that his career has "been full of surprises and a lot of fun." He also praised actors working in the industry today, calling them "the greatest generation of actors" and telling them, "You've all lifted the art to another place now." He continued with a rhetorical question for his Hollywood colleagues: "Aren't we lucky to have found a line of work that doesn't require growing up? I love that." Van Dyke is the 49th recipient of the SAG Life Achievement Award, following 2012 honoree Mary Tyler Moore.

The album "Songs I Like By Dick Van Dyke" was recorded on Friday, November 22, 1963. Early in the recording session, the artists and orchestra were informed of the assassination of President John F. Kennedy in Dallas, Texas. In spite of the tragic news, and a deadline from Command Records that had to be met, the recording session continued to a successful conclusion - albeit in an emotionally-charged atmosphere. He said that he scarcely remembers the session because he was in such a state of shock after hearing the news. 

After Van Gogh's first exhibitions in the late 1880s, his reputation grew steadily among artists, art critics, dealers and collectors.[262] In 1887 André Antoine hung Van Gogh's alongside works of Georges Seurat and Paul Signac, at the Théâtre Libre in Paris; some were acquired by Julien Tanguy.[263] In 1889 his work was described in the journal Le Moderniste Illustré by Albert Aurier as characterised by "fire, intensity, sunshine".[264] Ten paintings were shown at the Société des Artistes Indépendants, in Brussels in January 1890.[265] French president Marie François Sadi Carnot was said to have been impressed by Van Gogh's work.[266]
It took Walt twenty years to talk Travers [P.L. Travers, author of the Mary Poppins novels] into giving him the rights for the picture and then she fought him tooth and nail all the way through it. She hated me, she hated Julie Andrews, she didn't think either one of us were right. After the premiere she met Walt in the lobby and said, 'All the animation has to go.' Walt said, 'Pamela, the boat has sailed.'
In all the company has nearly 200 stores.[17] Art Van had partnered with Paul's TV to open a section for Paul's TV to sell televisions inside Art Van stores. 18 locations were opened, however all were closed down by 2015.[18] Other boutique sections have included AV Flooring, and Art Van Furniture also operates three Scott Shuptrine interior design studios in the state of Michigan.[19] Art Van also produces a mail catalog of its furniture designs.[20]

During the first days of his treatment, Van Gogh repeatedly and unsuccessfully asked for Gauguin, who asked a policeman attending the case to "be kind enough, Monsieur, to awaken this man with great care, and if he asks for me tell him I have left for Paris; the sight of me might prove fatal for him."[153] Gauguin fled Arles, never to see Van Gogh again. They continued to correspond and in 1890 Gauguin proposed they form a studio in Antwerp. Meanwhile, other visitors to the hospital included Marie Ginoux and Roulin.[154]


The most comprehensive primary source on Van Gogh is the correspondence between him and his younger brother, Theo. Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890.[7] Theo van Gogh was an art dealer and provided his brother with financial and emotional support, and access to influential people on the contemporary art scene.[8]
Poverty may have pushed Sien back into prostitution; the home became less happy and Van Gogh may have felt family life was irreconcilable with his artistic development. Sien gave her daughter to her mother, and baby Willem to her brother.[78] Willem remembered visiting Rotterdam when he was about 12, when an uncle tried to persuade Sien to marry to legitimise the child.[79] He believed Van Gogh was his father, but the timing of his birth makes this unlikely.[80] Sien drowned herself in the River Scheldt in 1904.[81]
Dick Van Dyke was born Richard Wayne Van Dyke in West Plains, Missouri, to Hazel Victoria (McCord), a stenographer, and Loren Wayne Van Dyke, a salesman. His younger brother is entertainer Jerry Van Dyke. His ancestry includes English, Scottish, German, Swiss-German, and Dutch. Although he'd had small roles beforehand, Van Dyke was launched to stardom in the 1960 musical "Bye-Bye Birdie", for which he won a Tony Award, and, then, later in the movie based on that play, Bye Bye Birdie (1963). He has starred in a number of films throughout the years including Mary Poppins (1964), Chitty Chitty Bang Bang (1968) and Fitzwilly (1967), as well as a number of successful television series which won him no less than four Emmys and three made-for-CBS movies. After separating from his wife, Margie Willett, in the 1970s, Dick later became involved with Michelle Triola. Margie and Dick had four children born during the first ten years of their marriage: Barry Van Dyke; Carrie Beth van Dyke; Christian Van Dyke and Stacy Van Dyke, all of whom are now in their forties and married themselves. He has seven grandchildren, including Shane Van Dyke, Carey Van Dyke, Wes Van Dyke and Taryn Van Dyke (Barry's children) and family members often appear with him on Diagnosis Murder (1993).  See full bio on IMDb »

Van Gogh wrote that with The Night Café he tried "to express the idea that the café is a place where one can ruin oneself, go mad, or commit a crime".[124] When he visited Saintes-Maries-de-la-Mer in June, he gave lessons to a Zouave second lieutenant – Paul-Eugène Milliet[125] – and painted boats on the sea and the village.[126] MacKnight introduced Van Gogh to Eugène Boch, a Belgian painter who sometimes stayed in Fontvieille, and the two exchanged visits in July.[125]
Gogh, Vincent van: Landscape at Saint-Rémy (Enclosed Field with Peasant)Landscape at Saint-Rémy (Enclosed Field with Peasant), oil on canvas by Vincent van Gogh, 1889; in the Indianapolis Museum of Art. 73.66 × 92.07 cm.Photograph by Jenny O'Donnell. Indianapolis Museum of Art, gift of Mrs James W. Fesler in memory of Daniel W. and Elizabeth C. Marmon, 44.74
From 1961 to 1966, Van Dyke starred in the CBS sitcom The Dick Van Dyke Show, in which he portrayed a comedy writer named Rob Petrie. Originally the show was supposed to have Carl Reiner as the lead but CBS insisted on recasting and Reiner chose Van Dyke to replace him in the role.[21] Complementing Van Dyke was a veteran cast of comic actors including Rose Marie, Morey Amsterdam, Jerry Paris, Ann Morgan Guilbert, Richard Deacon, and Carl Reiner (as Alan Brady), as well as 23-year-old Mary Tyler Moore, who played Rob's wife Laura Petrie. Van Dyke won three Emmy Awards as Outstanding Lead Actor in a Comedy Series, and the series received four Emmy Awards as Outstanding Comedy Series.[23] 

[about Mary Poppins (1964)] I thought Walt Disney hired me because I was such a great singer and dancer. As it turns out, he had heard me in an interview talking about what was happening to family entertainment. I was decrying the fact that it seemed like no holds were barred anymore in entertainment . . . That's why he called me in, because I said something he agreed with. And I got the part.
After much pleading from Van Gogh, Gauguin arrived in Arles on 23 October, and in November the two painted together. Gauguin depicted Van Gogh in his The Painter of Sunflowers; Van Gogh painted pictures from memory, following Gauguin's suggestion. Among these "imaginative" paintings is Memory of the Garden at Etten.[132][note 8] Their first joint outdoor venture was at the Alyscamps, when they produced the pendants Les Alyscamps.[133] The single painting Gauguin completed during his visit was Van Gogh Painting Sunflowers.[134]

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Many of the late paintings are sombre but essentially optimistic and, right up to the time of Van Gogh's death, reflect his desire to return to lucid mental health. Yet some of his final works reflect his deepening concerns.[257][258] Writing in July 1890, from Auvers, Van Gogh said that he had become absorbed "in the immense plain against the hills, boundless as the sea, delicate yellow".[181]
Van Gogh entered the Saint-Paul-de-Mausole asylum on 8 May 1889, accompanied by his carer, Frédéric Salles, a Protestant clergyman. Saint-Paul was a former monastery in Saint-Rémy, located less than 30 kilometres (19 mi) from Arles, and was run by a former naval doctor, Théophile Peyron. Van Gogh had two cells with barred windows, one of which he used as a studio.[162] The clinic and its garden became the main subjects of his paintings. He made several studies of the hospital's interiors, such as Vestibule of the Asylum and Saint-Rémy (September 1889). Some of his works from this time are characterised by swirls, such as The Starry Night. He was allowed short supervised walks, during which time he painted cypresses and olive trees, including Olive Trees with the Alpilles in the Background 1889, Cypresses 1889, Cornfield with Cypresses (1889), Country road in Provence by Night (1890). In September 1889 he produced two further versions of Bedroom in Arles.[163] 

Theo criticised The Potato Eaters for its dark palette, which he thought unsuitable for a modern style.[206] During Van Gogh's stay in Paris between 1886 and 1887, he tried to master a new, lighter palette. His Portrait of Père Tanguy (1887) shows his success with the brighter palette, and is evidence of an evolving personal style.[207] Charles Blanc's treatise on colour interested him greatly, and led him to work with complementary colours. Van Gogh came to believe that the effect of colour went beyond the descriptive; he said that "colour expresses something in itself".[208][209] According to Hughes, Van Gogh perceived colour as having a "psychological and moral weight", as exemplified in the garish reds and greens of The Night Cafe, a work he wanted to "express the terrible passions of humanity".[210] Yellow meant the most to him, because it symbolised emotional truth. He used yellow as a symbol for sunlight, life, and God.[211]
Gogh, Vincent van: Landscape at Saint-Rémy (Enclosed Field with Peasant)Landscape at Saint-Rémy (Enclosed Field with Peasant), oil on canvas by Vincent van Gogh, 1889; in the Indianapolis Museum of Art. 73.66 × 92.07 cm.Photograph by Jenny O'Donnell. Indianapolis Museum of Art, gift of Mrs James W. Fesler in memory of Daniel W. and Elizabeth C. Marmon, 44.74
There was interest from a dealer in Paris early in 1885.[86] Theo asked Vincent if he had paintings ready to exhibit.[87] In May, Van Gogh responded with his first major work, The Potato Eaters, and a series of "peasant character studies" which were the culmination of several years of work.[88] When he complained that Theo was not making enough effort to sell his paintings in Paris, his brother responded that they were too dark, and not in keeping with the bright style of Impressionism.[85] In August his work was publicly exhibited for the first time, in the shop windows of the dealer Leurs in The Hague. One of his young peasant sitters became pregnant in September 1885; Van Gogh was accused of forcing himself upon her, and the village priest forbade parishioners to model for him.[89] 

Van Gogh’s fame dates from the early years of the 20th century, and since then his reputation has never ceased to grow. A large part of this reputation is based on the image of van Gogh as a struggling genius, working unappreciated in isolation. The dramatic elements of his life—poverty, self-mutilation, mental breakdown, and suicide—feed the drama of this mythology. The notion that his unorthodox talent was unrecognized and rejected by society heightens the legend, as it is just that sort of isolation and struggle that has come to define the modern concept of the artist. This mythical van Gogh has become almost inseparable from his art, inspiring artists to dramatize his saga in poems, novels, films, operas, dance ensembles, orchestral compositions, and a popular song. Wide and diverse audiences have come to appreciate his art, and the record-breaking attendance at exhibitions of his works—as well as the popularity of commercial items featuring imagery from his oeuvre—reveal that, within the span of a century, van Gogh has become perhaps the most recognized painter of all time. The unprecedented prices his works have attained through auction and the attention paid to forgery scandals have only increased van Gogh’s stature in the public imagination.
There are more than 600 letters from Vincent to Theo and around 40 from Theo to Vincent. There are 22 to his sister Wil, 58 to the painter Anthon van Rappard, 22 to Émile Bernard as well as individual letters to Paul Signac, Paul Gauguin and the critic Albert Aurier. Some are illustrated with sketches.[8] Many are undated, but art historians have been able to place most in chronological order. Problems in transcription and dating remain, mainly with those posted from Arles. While there Vincent wrote around 200 letters in Dutch, French and English.[14] There is a gap in the record when he lived in Paris as the brothers lived together and had no need to correspond.[15]
In 1892 Émile Bernard organised a small solo show of Van Gogh's paintings in Paris, and Julien Tanguy exhibited his Van Gogh paintings with several consigned from Johanna van Gogh-Bonger. In April 1894 the Durand-Rue Gallery in Paris agreed to take 10 paintings on consignment from Van Gogh's estate.[269] In 1896, the Fauvist painter Henri Matisse, then an unknown art student, visited John Peter Russell on Belle Île off Brittany.[270][271] Russell had been a close friend of Van Gogh; he introduced Matisse to the Dutchman's work, and gave him a Van Gogh drawing. Influenced by Van Gogh, Matisse abandoned his earth-coloured palette for bright colours.[271][272]
After his recovery, and despite his antipathy towards academic teaching, he took the higher-level admission exams at the Academy of Fine Arts in Antwerp, and in January 1886 matriculated in painting and drawing. He became ill and run down by overwork, poor diet and excessive smoking.[99] He started to attend drawing classes after plaster models at the Antwerp Academy on 18 January 1886. He quickly got into trouble with Charles Verlat, the director of the Academy and teacher of a painting class, because of his unconventional painting style. Van Gogh had also clashed with the instructor of the drawing class Franz Vinck. Van Gogh finally started to attend the drawing classes after antique plaster models given by Eugène Siberdt. Soon Siberdt and Van Gogh came into conflict when the latter did not comply with Siberdt's requirement that drawings express the contour and concentrate on the line. When Van Gogh was required to draw the Venus of Milo during a drawing class, he produced the limbless, naked torso of a Flemish peasant woman. Siberdt regarded this as defiance against his artistic guidance and made corrections to Van Gogh's drawing with his crayon so vigorously that he tore the paper. Van Gogh then flew into a violent rage and shouted at Siberdt: 'You clearly do not know what a young woman is like, God damn it! A woman must have hips, buttocks, a pelvis in which she can carry a baby!' According to some accounts this was the last time Van Gogh attended classes at the Academy and he left later for Paris.[100] On 31 March 1886, which was about a month after the confrontation with Siberdt, the teachers of the Academy decided that 17 students, including Van Gogh, had to repeat a year. The story that Van Gogh was expelled from the Academy by Siberdt is therefore unfounded.[101]
^ Theo and his wife, Gachet and his son, and Signac, who all saw Van Gogh after the bandages were removed, maintained that only the earlobe had been removed.[142] According to Doiteau and Leroy, the diagonal cut removed the lobe and probably a little more.[143] The policeman and Rey both claimed Van Gogh severed the entire outer ear;[142] Rey repeated his account in 1930, writing a note for novelist Irving Stone and including a sketch of the line of the incision.[144]
Late in November 1881, Van Gogh wrote a letter to Johannes Stricker, one which he described to Theo as an attack.[58] Within days he left for Amsterdam.[59] Kee would not meet him, and her parents wrote that his "persistence is disgusting".[60] In despair, he held his left hand in the flame of a lamp, with the words: "Let me see her for as long as I can keep my hand in the flame."[60][61] He did not recall the event well, but later assumed that his uncle had blown out the flame. Kee's father made it clear that her refusal should be heeded and that the two would not marry, largely because of Van Gogh's inability to support himself.[62]

Absolutely terrible experience! We bought a sectional from here and initially the experience was good. Sasha, the salesperson was great to work with and patient. That quickly changed. The leg on the ottoman was broken so we had to get that fixed. When we went to move a few months later, we noticed the back of the couch was broken (the delivery guys put it against the wall so we had never seen it). We had it serviced and were without that piece for over a week.
Welcome to the Van Gogh Gallery - the definitive reference for information about the life and work of Vincent van Gogh. With a career that ran a little over a decade, he produced an astonishing amount of work: 1,000 drawings, 150 watercolors, 10 watercolors, 9 lithographs, an etching, and over 900 paintings. We have also put together his biography, spanning his youth until death, going into his mental state, his influences, and the world in which he lived. We hope to share Van Gogh’s legacy with as many people as we can and give his genius the appreciation he lacked in life.
^ Theo and his wife, Gachet and his son, and Signac, who all saw Van Gogh after the bandages were removed, maintained that only the earlobe had been removed.[142] According to Doiteau and Leroy, the diagonal cut removed the lobe and probably a little more.[143] The policeman and Rey both claimed Van Gogh severed the entire outer ear;[142] Rey repeated his account in 1930, writing a note for novelist Irving Stone and including a sketch of the line of the incision.[144]
We also love our new sectional! Art Van had a ton of options to choose from and it took us a second visit to nail down which one we wanted most. Pretty much everything can be customized from fabric to power options as well, which worked in our favor. They offer great long warranties, too, which was important to us since we have a dog. We were able to find a sectional with a chaise, center console, and power reclining seats which was so hard to find any where else. We got exactly what we wanted.
It took Walt twenty years to talk Travers [P.L. Travers, author of the Mary Poppins novels] into giving him the rights for the picture and then she fought him tooth and nail all the way through it. She hated me, she hated Julie Andrews, she didn't think either one of us were right. After the premiere she met Walt in the lobby and said, 'All the animation has to go.' Walt said, 'Pamela, the boat has sailed.'
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