In July 1869 Van Gogh's uncle Cent obtained a position for him at the art dealers Goupil & Cie in The Hague. After completing his training in 1873, he was transferred to Goupil's London branch at Southampton Street, and took lodgings at 87 Hackford Road, Stockwell. This was a happy time for Van Gogh; he was successful at work, and at 20 was earning more than his father. Theo's wife later remarked that this was the best year of Vincent's life. He became infatuated with his landlady's daughter, Eugénie Loyer, but was rejected after confessing his feelings; she was secretly engaged to a former lodger. He grew more isolated, and religiously fervent. His father and uncle arranged a transfer to Paris in 1875, where he became resentful of issues such as the degree to which the firm commodified art, and was dismissed a year later.
Many of the late paintings are sombre but essentially optimistic and, right up to the time of Van Gogh's death, reflect his desire to return to lucid mental health. Yet some of his final works reflect his deepening concerns. Writing in July 1890, from Auvers, Van Gogh said that he had become absorbed "in the immense plain against the hills, boundless as the sea, delicate yellow".
In 1892 Émile Bernard organised a small solo show of Van Gogh's paintings in Paris, and Julien Tanguy exhibited his Van Gogh paintings with several consigned from Johanna van Gogh-Bonger. In April 1894 the Durand-Rue Gallery in Paris agreed to take 10 paintings on consignment from Van Gogh's estate. In 1896, the Fauvist painter Henri Matisse, then an unknown art student, visited John Peter Russell on Belle Île off Brittany. Russell had been a close friend of Van Gogh; he introduced Matisse to the Dutchman's work, and gave him a Van Gogh drawing. Influenced by Van Gogh, Matisse abandoned his earth-coloured palette for bright colours.