I think it's such a shame that [Walt Disney] didn't live to see computer animation, because he would have had a good time with it . . . In those days it was before the blue screen. They used what was called yellow sulphur lighting--the screen was yellow, and we worked with that all day, and by the time the day was over you couldn't see anything . . . It was just an empty soundstage. And sometimes we didn't even have the music--we would just dance to a click rhythm. But I think technically it holds up today just as well as anything.
After Van Gogh's first exhibitions in the late 1880s, his reputation grew steadily among artists, art critics, dealers and collectors.[262] In 1887 André Antoine hung Van Gogh's alongside works of Georges Seurat and Paul Signac, at the Théâtre Libre in Paris; some were acquired by Julien Tanguy.[263] In 1889 his work was described in the journal Le Moderniste Illustré by Albert Aurier as characterised by "fire, intensity, sunshine".[264] Ten paintings were shown at the Société des Artistes Indépendants, in Brussels in January 1890.[265] French president Marie François Sadi Carnot was said to have been impressed by Van Gogh's work.[266]
In 1957 Francis Bacon based a series of paintings on reproductions of Van Gogh's The Painter on the Road to Tarascon, the original of which was destroyed during the Second World War. Bacon was inspired by an image he described as "haunting", and regarded Van Gogh as an alienated outsider, a position which resonated with him. Bacon identified with Van Gogh's theories of art and quoted lines written to Theo: "[R]eal painters do not paint things as they are ... [T]hey paint them as they themselves feel them to be."[285]
There are more than 600 letters from Vincent to Theo and around 40 from Theo to Vincent. There are 22 to his sister Wil, 58 to the painter Anthon van Rappard, 22 to Émile Bernard as well as individual letters to Paul Signac, Paul Gauguin and the critic Albert Aurier. Some are illustrated with sketches.[8] Many are undated, but art historians have been able to place most in chronological order. Problems in transcription and dating remain, mainly with those posted from Arles. While there Vincent wrote around 200 letters in Dutch, French and English.[14] There is a gap in the record when he lived in Paris as the brothers lived together and had no need to correspond.[15]
In mid-1889, and at his sister Wil's request, Van Gogh painted several smaller versions of Wheat Field with Cypresses.[249] The works are characterised by swirls and densely painted impasto, and include The Starry Night, in which cypresses dominate the foreground.[246] In addition to this, other notable works on cypresses include Cypresses (1889), Cypresses with Two Figures (1889–90), and Road with Cypress and Star (1890).[250]
In despair of ever being able to overcome his loneliness or be cured, van Gogh shot himself. He did not die immediately. When found wounded in his bed, he allegedly said, “I shot myself.…I only hope I haven’t botched it.” That evening, when interrogated by the police, van Gogh refused to answer questions, saying, “What I have done is nobody else’s business. I am free to do what I like with my own body.”
Van Dyke took a more dramatic turn in the 1990s. He starred in the popular crime drama Diagnosis Murder alongside his real-life son, Barry Van Dyke. Debuting in 1993, the series featured Van Dyke as Dr. Mark Sloan, a medical professional who helped the police solve crimes. The series ended in 2001, but Van Dyke didn't stay away from the small screen for long. He played another amateur detective in a series of TV movies, beginning with 2006's Murder 101. That same year, the actor appeared in the Ben Stiller comedy Night at the Museum.

Born in Missouri, entertainer Dick Van Dyke was raised in Danville, Illinois, where repeated viewings of Laurel & Hardy comedies at his local movie palace inspired him to go into show business. Active in high school and community plays in his teens, Van Dyke briefly put his theatrical aspirations aside upon reaching college age. He toyed with the idea of becoming a Presbyterian minister; then, after serving in the Air Force during World War II, opened up a Danville advertising agency. When this venture failed, it was back to show biz, first as a radio announcer for local station WDAN, and later as half of a record-pantomime act called The Merry Mutes (the other half was a fellow named Philip Erickson). While hosting a TV morning show in New Orleans, Van Dyke was signed to a contract by the CBS network. He spent most of his time subbing for other CBS personalities and emceeing such forgotten endeavors as Cartoon Theatre. After making his acting debut as a hayseed baseball player on The Phil Silvers Show, Van Dyke left CBS to free-lance. He hosted a few TV game shows before his career breakthrough as co-star of the 1959 Broadway review The Girls Against the Boys. The following year, he starred in the musical comedy Bye Bye Birdie, winning a Tony Award for his portrayal of mother-dominated songwriter Albert Peterson (it would be his last Broadway show until the short-lived 1980 revival of The Music Man). In 1961, he was cast as comedy writer Rob Petrie on The Dick Van Dyke Show, which after a shaky start lasted five seasons and earned its star three Emmies.He made his movie bow in the 1963 filmization of Bye Bye Birdie, then entered into a flexible arrangement with Walt Disney Studios. His best known films from that era include Mary Poppins (1964), Lt. Robin Crusoe, USN and The Comic, in which he played an amalgam of several self-destructive silent movie comedians. His TV specials remained popular in the ratings, and it was this fact that led to the debut of The New Dick Van Dyke Show in 1971. Despite the creative input of the earlier Dick Van Dyke Show's maven Carl Reiner, the later series never caught on, and petered out after three seasons. A chronic "people pleaser," Van Dyke was loath to display anger or frustration around his co-workers or fans, so he began taking solace in liquor; by 1972, he had become a full-fledged alcoholic. Rather than lie to his admirers or himself any longer, he underwent treatment and publicly admitted his alcoholism -- one of the first major TV stars ever to do so. Van Dyke's public confession did little to hurt his "nice guy" public image, and, now fully and permanently sober, he continued to be sought out for guest-star assignments and talk shows. In 1974, he starred in the TV movie The Morning After, playing an ad executive who destroys his reputation, his marriage and his life thanks to booze. After that Van Dyke, further proved his versatility when he began accepting villainous roles, ranging from a cold-blooded wife murderer in a 1975 Columbo episode to the corrupt district attorney in the 1990 film Dick Tracy. He also made several stabs at returning to weekly television, none of which panned out--until 1993, when he starred as Dr. Mark Sloan in the popular mystery series Diagnosis Murder. He made a few more movie appearances after Diagnosis Murder came to an end, most notably as a retired security guard in the hit family film Night at the Museum. As gifted at writing and illustrating as he is at singing, dancing and clowning, Van Dyke has penned two books, Faith, Hope and Hilarity and Those Funny Kids. From 1992 to 1994, he served as chairman of the Nickelodeon cable service, which was then sweeping the ratings by running Dick Van Dyke Show reruns in prime time. Van Dyke is the brother of award-winning TV personality Jerry Van Dyke, and the father of actor Barry Van Dyke.
Gogh, Vincent van: La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930)La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), oil on canvas by Vincent van Gogh, 1889; in the Metropolitan Museum of Art, New York City.The Metropolitan Museum of Art, New York; The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1996, Bequest of Walter H. Annenberg, 2002 (accession no. 1996.435); www.metmuseum.org
The most comprehensive primary source on Van Gogh is the correspondence between him and his younger brother, Theo. Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890.[7] Theo van Gogh was an art dealer and provided his brother with financial and emotional support, and access to influential people on the contemporary art scene.[8]
Van Gogh wrote that with The Night Café he tried "to express the idea that the café is a place where one can ruin oneself, go mad, or commit a crime".[124] When he visited Saintes-Maries-de-la-Mer in June, he gave lessons to a Zouave second lieutenant – Paul-Eugène Milliet[125] – and painted boats on the sea and the village.[126] MacKnight introduced Van Gogh to Eugène Boch, a Belgian painter who sometimes stayed in Fontvieille, and the two exchanged visits in July.[125]
In 2017, Van Dyke released his first solo album since 1963's "Songs I Like." The album, "Step (Back) In Time," was produced by Bill Bixler (who also played sax), with arrangements by Dave Enos (who also played bass) and features noted musicians John Ferraro (Drums), Tony Guerrero (Trumpet & Vocal duet), Mark LeBrun (Piano), Charley Pollard (Trombone) and Leslie Bixler (Vocals). "Step (Back) In Time" was released by BixMix Records and showcases Van Dyke in a jazz and big band setting on classic songs from the 1920s, 1930s and 1940s.
Dick Van Dyke was born Richard Wayne Van Dyke in West Plains, Missouri, to Hazel Victoria (McCord), a stenographer, and Loren Wayne Van Dyke, a salesman. His younger brother is entertainer Jerry Van Dyke. His ancestry includes English, Scottish, German, Swiss-German, and Dutch. Although he'd had small roles beforehand, Van Dyke was launched to stardom in the 1960 musical "Bye-Bye Birdie", for which he won a Tony Award, and, then, later in the movie based on that play, Bye Bye Birdie (1963). He has starred in a number of films throughout the years including Mary Poppins (1964), Chitty Chitty Bang Bang (1968) and Fitzwilly (1967), as well as a number of successful television series which won him no less than four Emmys and three made-for-CBS movies. After separating from his wife, Margie Willett, in the 1970s, Dick later became involved with Michelle Triola. Margie and Dick had four children born during the first ten years of their marriage: Barry Van Dyke; Carrie Beth van Dyke; Christian Van Dyke and Stacy Van Dyke, all of whom are now in their forties and married themselves. He has seven grandchildren, including Shane Van Dyke, Carey Van Dyke, Wes Van Dyke and Taryn Van Dyke (Barry's children) and family members often appear with him on Diagnosis Murder (1993).  See full bio on IMDb »
Danny (last name May, I'm pretty sure) and Sierra were a pleasure to work with. They had a completely non-pushy yet totally dedicated approach. Their timing was perfect - literally every time we had a question or wanted help, they appeared and LISTENED to our wants and dislikes and guided us like they really cared. They were upbeat and personable and miles ahead of the salespeople we met at other furniture stores in the area. We couldn't be happier with how we were treated.
During the first days of his treatment, Van Gogh repeatedly and unsuccessfully asked for Gauguin, who asked a policeman attending the case to "be kind enough, Monsieur, to awaken this man with great care, and if he asks for me tell him I have left for Paris; the sight of me might prove fatal for him."[153] Gauguin fled Arles, never to see Van Gogh again. They continued to correspond and in 1890 Gauguin proposed they form a studio in Antwerp. Meanwhile, other visitors to the hospital included Marie Ginoux and Roulin.[154]
After the altercation with Gauguin, Van Gogh returned to his room, where he was assaulted by voices and severed his left ear with a razor (either wholly or in part; accounts differ),[note 9] causing severe bleeding.[142] He bandaged the wound, wrapped the ear in paper, and delivered the package to a woman at a brothel Van Gogh and Gauguin both frequented.[142] Van Gogh was found unconscious the next morning by a policeman and taken to hospital,[145][146] where Félix Rey, a young doctor still in training, treated him. The ear was delivered to the hospital, but Rey did not attempt to reattach it as too much time had passed.[140]
Van Gogh learned about Fernand Cormon's atelier from Theo.[107] He worked at the studio in April and May 1886,[108] where he frequented the circle of the Australian artist John Peter Russell, who painted his portrait in 1886.[109] Van Gogh also met fellow students Émile Bernard, Louis Anquetin and Henri de Toulouse-Lautrec – who painted a portrait of him in pastel. They met at Julien "Père" Tanguy's paint shop,[108] (which was, at that time, the only place where Paul Cézanne's paintings were displayed). In 1886, two large exhibitions were staged there, showing Pointillism and Neo-impressionism for the first time, and bringing attention to Georges Seurat and Paul Signac. Theo kept a stock of Impressionist paintings in his gallery on boulevard Montmartre, but Van Gogh was slow to acknowledge the new developments in art.[110]

Van Gogh’s fame dates from the early years of the 20th century, and since then his reputation has never ceased to grow. A large part of this reputation is based on the image of van Gogh as a struggling genius, working unappreciated in isolation. The dramatic elements of his life—poverty, self-mutilation, mental breakdown, and suicide—feed the drama of this mythology. The notion that his unorthodox talent was unrecognized and rejected by society heightens the legend, as it is just that sort of isolation and struggle that has come to define the modern concept of the artist. This mythical van Gogh has become almost inseparable from his art, inspiring artists to dramatize his saga in poems, novels, films, operas, dance ensembles, orchestral compositions, and a popular song. Wide and diverse audiences have come to appreciate his art, and the record-breaking attendance at exhibitions of his works—as well as the popularity of commercial items featuring imagery from his oeuvre—reveal that, within the span of a century, van Gogh has become perhaps the most recognized painter of all time. The unprecedented prices his works have attained through auction and the attention paid to forgery scandals have only increased van Gogh’s stature in the public imagination.
Van Gogh knew that his approach to painting was individualistic, but he also knew that some tasks are beyond the power of isolated individuals to accomplish. In Paris he had hoped to form a separate Impressionist group with Gauguin, Toulouse-Lautrec, and others whom he believed had similar aims. He rented and decorated a house in Arles with the intention of persuading them to join him and found a working community called “The Studio of the South.” Gauguin arrived in October 1888, and for two months van Gogh and Gauguin worked together; but, while each influenced the other to some extent, their relations rapidly deteriorated because they had opposing ideas and were temperamentally incompatible.

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Van Gogh's works are among the world's most expensive paintings. Those sold for over US$100 million (today's equivalent) include Portrait of Dr Gachet,[286] Portrait of Joseph Roulin and Irises. The Metropolitan Museum of Art's version of Wheat Field with Cypresses was acquired in 1993 for US$57 million.[287] In 2015 L'Allée des Alyscamps sold for US$66.3 million at Sotheby's, New York, exceeding its reserve of US$40 million.[288]
Van Gogh returned to Cuesmes in August 1880, where he lodged with a miner until October.[52] He became interested in the people and scenes around him, and recorded them in drawings after Theo's suggestion that he take up art in earnest. He travelled to Brussels later in the year, to follow Theo's recommendation that he study with the Dutch artist Willem Roelofs, who persuaded him – in spite of his dislike of formal schools of art – to attend the Académie Royale des Beaux-Arts. He registered at the Académie in November 1880, where he studied anatomy and the standard rules of modelling and perspective.[53] 

His artistic career was extremely short, lasting only the 10 years from 1880 to 1890. During the first four years of this period, while acquiring technical proficiency, he confined himself almost entirely to drawings and watercolours. First, he went to study drawing at the Brussels Academy; in 1881 he moved to his father’s parsonage at Etten, Netherlands, and began to work from nature.
During the last six or seven months of the year 1889, he has also created at least fifteen paintings of olive trees, a subject which he considered as demanding and compelling.[251] Among these works are Olive Trees with the Alpilles in the Background (1889), about which in a letter to his brother Van Gogh wrote, "At last I have a landscape with olives".[250]While in Saint-Rémy, Van Gogh spent time outside the asylum, where he painted trees in the olive groves. In these works natural life is rendered as gnarled and arthritic as if a personification of the natural world, which are, according to Hughes, filled with "a continuous field of energy of which nature is a manifestation".[214]
Van Gogh moved to Paris in March 1886 where he shared Theo's rue Laval apartment in Montmartre, and studied at Fernand Cormon's studio. In June the brothers took a larger flat at 54 rue Lepic.[102] In Paris, Vincent painted portraits of friends and acquaintances, still life paintings, views of Le Moulin de la Galette, scenes in Montmartre, Asnières and along the Seine. In 1885 in Antwerp he had become interested in Japanese ukiyo-e woodblock prints, and had used them to decorate the walls of his studio; while in Paris he collected hundreds of them. He tried his hand at Japonaiserie, tracing a figure from a reproduction on the cover of the magazine Paris Illustre, The Courtesan or Oiran (1887), after Keisai Eisen, which he then graphically enlarged in a painting.[103]
In 1957 Francis Bacon based a series of paintings on reproductions of Van Gogh's The Painter on the Road to Tarascon, the original of which was destroyed during the Second World War. Bacon was inspired by an image he described as "haunting", and regarded Van Gogh as an alienated outsider, a position which resonated with him. Bacon identified with Van Gogh's theories of art and quoted lines written to Theo: "[R]eal painters do not paint things as they are ... [T]hey paint them as they themselves feel them to be."[285]

We bought a bedroom set and was very excited to get it delivered. However, when it got delivered, we realized that the salesperson failed to tell us that we needed a bunky board rather than a box spring, and the bed was 5 feet tall with the platform! (Keeping in mind I bought all the pieces of furniture from the same company). The bed was as tall as me! I called the company while the delivery guys were still here, but the salesperson said she would call me back and never did. I finally got ahold of the manager the next day, who was going to charge me another $100 for the exchange and delivery. I later found out that the bunky board was simply a piece of plywood that you can easily buy for much cheaper, and that this situation happened to people all the time; especially to elderly people.


In despair of ever being able to overcome his loneliness or be cured, van Gogh shot himself. He did not die immediately. When found wounded in his bed, he allegedly said, “I shot myself.…I only hope I haven’t botched it.” That evening, when interrogated by the police, van Gogh refused to answer questions, saying, “What I have done is nobody else’s business. I am free to do what I like with my own body.”

In Nuenen, Van Gogh focused on painting and drawing. Working outside and very quickly, he completed sketches and paintings of weavers and their cottages.[82] From August 1884, Margot Begemann, a neighbour's daughter ten years his senior, joined him on his forays; she fell in love and he reciprocated, though less enthusiastically. They wanted to marry, but neither side of their families were in favour. Margot was distraught and took an overdose of strychnine, but survived after Van Gogh rushed her to a nearby hospital.[75] On 26 March 1885, his father died of a heart attack.[83]
Van Dyke took a more dramatic turn in the 1990s. He starred in the popular crime drama Diagnosis Murder alongside his real-life son, Barry Van Dyke. Debuting in 1993, the series featured Van Dyke as Dr. Mark Sloan, a medical professional who helped the police solve crimes. The series ended in 2001, but Van Dyke didn't stay away from the small screen for long. He played another amateur detective in a series of TV movies, beginning with 2006's Murder 101. That same year, the actor appeared in the Ben Stiller comedy Night at the Museum.
Gogh, Vincent van: L'Arlésienne: Madame Joseph-Michel Ginoux (née Marie Julien, 1848–1911)L'Arlésienne: Madame Joseph-Michel Ginoux (née Marie Julien, 1848–1911), oil on canvas by Vincent van Gogh, 1888–89; in the Metropolitan Museum of Art, New York City. 91.4 × 73.7 cm.Photograph by dmadeo. The Metropolitan Museum of Art, New York City, bequest of Sam A. Lewisohn, 1951 (51.112.3)
BIBSYS: 90062600 BNE: XX888249 BNF: cb11927591g (data) BPN: 32545490 GND: 118540416 ISNI: 0000 0001 2095 5689 KulturNav: 2192c545-cc43-43b4-8abd-1cd22af701dc LCCN: n79022935 NDL: 00441120 NKC: jn20000601950 NLA: 35130087 RKD: 32439 RSL: 000083033 ICCU: IT\ICCU\CFIV\038247 SELIBR: 188359 SNAC: w60g3k35 SUDOC: 027176207 ULAN: 500115588 VIAF: 9854560 WorldCat Identities (via VIAF): 9854560
Van Gogh's stylistic developments are usually linked to the periods he spent living in different places across Europe. He was inclined to immerse himself in local cultures and lighting conditions, although he maintained a highly individual visual outlook throughout. His evolution as an artist was slow, and he was aware of his painterly limitations. He moved home often, perhaps to expose himself to new visual stimuli, and through exposure develop his technical skill.[224] Art historian Melissa McQuillan believes the moves also reflect later stylistic changes, and that Van Gogh used the moves to avoid conflict, and as a coping mechanism for when the idealistic artist was faced with the realities of his then current situation.[225]

In the best of all worlds the producers would take some responsibility for the kinds of things they're putting out. Unfortunately, they don't. And then I-- they keep saying we can't have our First Amendment rights abridged and we can't have censorship. Well we had it back in the Hays days [Production Code Administration, headed by 'Will H. Hays', the official Hollywood censor office], in the Johnson office days. And I think they should--maybe the American people might bring it back if things get bad enough.
Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881, having moved back home with his parents. His younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, contain few signs of the vivid colour that distinguished his later work. In 1886, he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility. As his work developed he created a new approach to still lifes and local landscapes. His paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include series of olive trees, wheat fields and sunflowers.
Van Gogh worked for Goupil in London from 1873 to May 1875 and in Paris from that date until April 1876. Daily contact with works of art aroused his artistic sensibility, and he soon formed a taste for Rembrandt, Frans Hals, and other Dutch masters, although his preference was for two contemporary French painters, Jean-François Millet and Camille Corot, whose influence was to last throughout his life. Van Gogh disliked art dealing. Moreover, his approach to life darkened when his love was rejected by a London girl in 1874. His burning desire for human affection thwarted, he became increasingly solitary. He worked as a language teacher and lay preacher in England and, in 1877, worked for a bookseller in Dordrecht, Netherlands. Impelled by a longing to serve humanity, he envisaged entering the ministry and took up theology; however, he abandoned this project in 1878 for short-term training as an evangelist in Brussels. A conflict with authority ensued when he disputed the orthodox doctrinal approach. Failing to get an appointment after three months, he left to do missionary work among the impoverished population of the Borinage, a coal-mining region in southwestern Belgium. There, in the winter of 1879–80, he experienced the first great spiritual crisis of his life. Living among the poor, he gave away all his worldly goods in an impassioned moment; he was thereupon dismissed by church authorities for a too-literal interpretation of Christian teaching.

Van Gogh learned about Fernand Cormon's atelier from Theo.[107] He worked at the studio in April and May 1886,[108] where he frequented the circle of the Australian artist John Peter Russell, who painted his portrait in 1886.[109] Van Gogh also met fellow students Émile Bernard, Louis Anquetin and Henri de Toulouse-Lautrec – who painted a portrait of him in pastel. They met at Julien "Père" Tanguy's paint shop,[108] (which was, at that time, the only place where Paul Cézanne's paintings were displayed). In 1886, two large exhibitions were staged there, showing Pointillism and Neo-impressionism for the first time, and bringing attention to Georges Seurat and Paul Signac. Theo kept a stock of Impressionist paintings in his gallery on boulevard Montmartre, but Van Gogh was slow to acknowledge the new developments in art.[110]
Just purchased a entertainment center from Art Van and my experience was decent. Didn't like the idea of $100 delivery fee to deliver around the corner with a piece of furniture I still had to put together myself. Didn't make much sense there so I just picked it up and the warehouse guys were cool. Sales staff wasn't good for much to be honest with you but the girls in the office helped with 98% of what I needed.
Van Gogh was a serious and thoughtful child.[25] He was taught at home by his mother and a governess, and in 1860 was sent to the village school. In 1864 he was placed in a boarding school at Zevenbergen,[26] where he felt abandoned, and campaigned to come home. Instead, in 1866 his parents sent him to the middle school in Tilburg, where he was deeply unhappy.[27] His interest in art began at a young age. He was encouraged to draw as a child by his mother,[28] and his early drawings are expressive,[26] but do not approach the intensity of his later work.[29] Constant Cornelis Huijsmans, who had been a successful artist in Paris, taught the students at Tilburg. His philosophy was to reject technique in favour of capturing the impressions of things, particularly nature or common objects. Van Gogh's profound unhappiness seems to have overshadowed the lessons, which had little effect.[30] In March 1868 he abruptly returned home. He later wrote that his youth was "austere and cold, and sterile".[31]
I purchased a sectional set from the Fort Wayne store last year and it has been nothing but a nightmare. Within a month it has stated to rip at the stitching. We called and they said we don't cover that it's the factory warranty. So we called them and was informed we called to late of the incident of the rip and it was not on the stitching even tho clearly the picture the guy took showed the stitching coming apart. Then a month later our dog threw up brown sugar all over or brown sectional and the oder is unbearable to the point where you can't sit on it. We purchased the extended stain warranty and you guessed it... It was not covered...... So a month ago they were have birthday sale so we go in looking for a bed and bed frame. They worked with us and got a good deal on a set. So last week they delivery was 2 hours late so we had to reschedule and my wife missed work. Now today they showed up with half our order and made me miss work bc they couldn't work with us on times to be delivered. Now they want us to miss work again to deliver the rest of the order next Thursday. So I sit down on my disgusting falling apart sectional and it clicks I'm done with this company and the empty promises and cancel the remainder of the order bc I need a mattress to sleep on tonight. Do not do business with this company unless you like terrible customer service...
The piece comes back and looks horrible. The fabric was torn and stapled back together unevenly. We called Art Van to complain and were promised to be contacted by the manager. In the meantime we moved and didn't get a chance to call manager back.  We called back and were told manager would contact us. Nothing. I finally called the manager, Kathy Smith, today and received the worst treatment I've ever experienced from a store. Right away she had a chip on her should and said because it's been 8 months since original purchase, we couldn't get a replacement and basically it wasn't her problem. I wasn't rude and didn't say anything to anger her but she acted like I was trying to steal from her. I explained that if we could not get the piece replaced (which is ridiculous by itself), could we get a decent discount on the purchase of two new pieces? We need to get the reverse pieces for the new house and were hoping after all the inconvenience, that they could work with us since the original piece looks terrible from being serviced.  

Van Gogh learned about Fernand Cormon's atelier from Theo.[107] He worked at the studio in April and May 1886,[108] where he frequented the circle of the Australian artist John Peter Russell, who painted his portrait in 1886.[109] Van Gogh also met fellow students Émile Bernard, Louis Anquetin and Henri de Toulouse-Lautrec – who painted a portrait of him in pastel. They met at Julien "Père" Tanguy's paint shop,[108] (which was, at that time, the only place where Paul Cézanne's paintings were displayed). In 1886, two large exhibitions were staged there, showing Pointillism and Neo-impressionism for the first time, and bringing attention to Georges Seurat and Paul Signac. Theo kept a stock of Impressionist paintings in his gallery on boulevard Montmartre, but Van Gogh was slow to acknowledge the new developments in art.[110]
In all the company has nearly 200 stores.[17] Art Van had partnered with Paul's TV to open a section for Paul's TV to sell televisions inside Art Van stores. 18 locations were opened, however all were closed down by 2015.[18] Other boutique sections have included AV Flooring, and Art Van Furniture also operates three Scott Shuptrine interior design studios in the state of Michigan.[19] Art Van also produces a mail catalog of its furniture designs.[20]
While in Asnières Van Gogh painted parks, restaurants and the Seine, including Bridges across the Seine at Asnières. In November 1887, Theo and Vincent befriended Paul Gauguin who had just arrived in Paris.[111] Towards the end of the year, Vincent arranged an exhibition alongside Bernard, Anquetin, and probably Toulouse-Lautrec, at the Grand-Bouillon Restaurant du Chalet, 43 avenue de Clichy, Montmartre. In a contemporary account, Bernard wrote that the exhibition was ahead of anything else in Paris.[112] There Bernard and Anquetin sold their first paintings, and Van Gogh exchanged work with Gauguin. Discussions on art, artists, and their social situations started during this exhibition, continued and expanded to include visitors to the show, like Camille Pissarro and his son Lucien, Signac and Seurat. In February 1888, feeling worn out from life in Paris, Van Gogh left, having painted more than 200 paintings during his two years there. Hours before his departure, accompanied by Theo, he paid his first and only visit to Seurat in his studio.[113]
After the altercation with Gauguin, Van Gogh returned to his room, where he was assaulted by voices and severed his left ear with a razor (either wholly or in part; accounts differ),[note 9] causing severe bleeding.[142] He bandaged the wound, wrapped the ear in paper, and delivered the package to a woman at a brothel Van Gogh and Gauguin both frequented.[142] Van Gogh was found unconscious the next morning by a policeman and taken to hospital,[145][146] where Félix Rey, a young doctor still in training, treated him. The ear was delivered to the hospital, but Rey did not attempt to reattach it as too much time had passed.[140] 

Between 1885 and his death in 1890, Van Gogh appears to have been building an oeuvre,[221] a collection that reflected his personal vision, and could be commercially successful. He was influenced by Blanc's definition of style, that a true painting required optimal use of colour, perspective and brushstrokes. Van Gogh applied the word "purposeful" to paintings he thought he had mastered, as opposed to those he thought of as studies.[222] He painted many series of studies;[218] most of which were still lifes, many executed as colour experiments or as gifts to friends.[223] The work in Arles contributed considerably to his oeuvre: those he thought the most important from that time were The Sower, Night Cafe, Memory of the Garden in Etten and Starry Night. With their broad brushstrokes, inventive perspectives, colours, contours and designs, these paintings represent the style he sought.[219]
Van Gogh's works are among the world's most expensive paintings. Those sold for over US$100 million (today's equivalent) include Portrait of Dr Gachet,[286] Portrait of Joseph Roulin and Irises. The Metropolitan Museum of Art's version of Wheat Field with Cypresses was acquired in 1993 for US$57 million.[287] In 2015 L'Allée des Alyscamps sold for US$66.3 million at Sotheby's, New York, exceeding its reserve of US$40 million.[288]
Van Gogh, the eldest of six children of a Protestant pastor, was born and reared in a small village in the Brabant region of the southern Netherlands. He was a quiet, self-contained youth, spending his free time wandering the countryside to observe nature. At 16 he was apprenticed to The Hague branch of the art dealers Goupil and Co., of which his uncle was a partner. 

Van Gogh returned to Cuesmes in August 1880, where he lodged with a miner until October.[52] He became interested in the people and scenes around him, and recorded them in drawings after Theo's suggestion that he take up art in earnest. He travelled to Brussels later in the year, to follow Theo's recommendation that he study with the Dutch artist Willem Roelofs, who persuaded him – in spite of his dislike of formal schools of art – to attend the Académie Royale des Beaux-Arts. He registered at the Académie in November 1880, where he studied anatomy and the standard rules of modelling and perspective.[53]
Despite being a relatively unknown actor, Van Dyke got starring billing in his breakthrough 1961 TV series, The Dick Van Dyke Show. The now-classic comedy series was created by Carl Reiner, formerly a writer and performer on Sid Caesar's Your Show of Shows. Van Dyke drew from his own life for the show, which centered around the lives of TV writer Rob Petrie and his wife, Laura (played by Mary Tyler Moore). Rose Marie and Morey Amsterdam played Petrie's friends and co-workers on the program.
In April 2013, Van Dyke revealed that for seven years he had been experiencing symptoms of a neurological disorder, in which he felt a pounding in his head whenever he lay down; but despite his undergoing tests, no diagnosis had been made.[55] He had to cancel scheduled appearances due to fatigue from lack of sleep because of the medical condition.[56] In May 2013, he tweeted that it seemed his titanium dental implants may be responsible.[57]
Despite being a relatively unknown actor, Van Dyke got starring billing in his breakthrough 1961 TV series, The Dick Van Dyke Show. The now-classic comedy series was created by Carl Reiner, formerly a writer and performer on Sid Caesar's Your Show of Shows. Van Dyke drew from his own life for the show, which centered around the lives of TV writer Rob Petrie and his wife, Laura (played by Mary Tyler Moore). Rose Marie and Morey Amsterdam played Petrie's friends and co-workers on the program.
In July 1869 Van Gogh's uncle Cent obtained a position for him at the art dealers Goupil & Cie in The Hague.[32] After completing his training in 1873, he was transferred to Goupil's London branch at Southampton Street, and took lodgings at 87 Hackford Road, Stockwell.[33] This was a happy time for Van Gogh; he was successful at work, and at 20 was earning more than his father. Theo's wife later remarked that this was the best year of Vincent's life. He became infatuated with his landlady's daughter, Eugénie Loyer, but was rejected after confessing his feelings; she was secretly engaged to a former lodger. He grew more isolated, and religiously fervent. His father and uncle arranged a transfer to Paris in 1875, where he became resentful of issues such as the degree to which the firm commodified art, and was dismissed a year later.[34]
Those of you who have followed this saga and supported my efforts with your countless emails will understand when I say that regardless of money, ethics, William Morris Agents and their lawyers, and anyone else who has the guts to call this project their own, I can honestly say that I am sitting here in my apartment in New York City SMILING BIG SMILES because I know in my heart (and so does EVERYONE ELSE) that this whole bloody thing...and all of your happiness....was because of something I did.
Many of the comedy films Van Dyke starred in throughout the 1960s were relatively unsuccessful at the box office, including What a Way to Go! with Shirley MacLaine, Lt. Robin Crusoe, U.S.N., Fitzwilly, The Art of Love with James Garner and Elke Sommer, Some Kind of a Nut, Never a Dull Moment with Edward G. Robinson, and Divorce American Style with Debbie Reynolds and Jean Simmons. But he also starred as Caractacus Pott (with his native accent, at his own insistence, despite the English setting) in the successful musical version of Ian Fleming's Chitty Chitty Bang Bang (1968), which co-starred Sally Ann Howes and featured the same songwriters (The Sherman Brothers) and choreographers (Marc Breaux and Dee Dee Wood) as Mary Poppins.
From 1961 to 1966, Van Dyke starred in the CBS sitcom The Dick Van Dyke Show, in which he portrayed a comedy writer named Rob Petrie. Originally the show was supposed to have Carl Reiner as the lead but CBS insisted on recasting and Reiner chose Van Dyke to replace him in the role.[21] Complementing Van Dyke was a veteran cast of comic actors including Rose Marie, Morey Amsterdam, Jerry Paris, Ann Morgan Guilbert, Richard Deacon, and Carl Reiner (as Alan Brady), as well as 23-year-old Mary Tyler Moore, who played Rob's wife Laura Petrie. Van Dyke won three Emmy Awards as Outstanding Lead Actor in a Comedy Series, and the series received four Emmy Awards as Outstanding Comedy Series.[23]
During the first days of his treatment, Van Gogh repeatedly and unsuccessfully asked for Gauguin, who asked a policeman attending the case to "be kind enough, Monsieur, to awaken this man with great care, and if he asks for me tell him I have left for Paris; the sight of me might prove fatal for him."[153] Gauguin fled Arles, never to see Van Gogh again. They continued to correspond and in 1890 Gauguin proposed they form a studio in Antwerp. Meanwhile, other visitors to the hospital included Marie Ginoux and Roulin.[154]
People in the UK love to rib me about my accent, I will never live it down. They ask what part of England I was meant to be from and I say it was a little shire in the north where most of the people were from Ohio. I was working with an entire English cast and nobody said a word, not Julie, not anybody said I needed to work on it so I thought I was alright.
Gogh, Vincent van: Landscape at Saint-Rémy (Enclosed Field with Peasant)Landscape at Saint-Rémy (Enclosed Field with Peasant), oil on canvas by Vincent van Gogh, 1889; in the Indianapolis Museum of Art. 73.66 × 92.07 cm.Photograph by Jenny O'Donnell. Indianapolis Museum of Art, gift of Mrs James W. Fesler in memory of Daniel W. and Elizabeth C. Marmon, 44.74

Despite a pessimistic diagnosis, Van Gogh recovered and returned to the Yellow House on 7 January 1889.[155] He spent the following month between hospital and home, suffering from hallucinations and delusions of poisoning.[156] In March, the police closed his house after a petition by 30 townspeople (including the Ginoux family) who described him as "le fou roux" (the redheaded madman);[149] Van Gogh returned to hospital. Paul Signac visited him twice in March;[157] in April Van Gogh moved into rooms owned by Dr Rey after floods damaged paintings in his own home.[158] Two months later, he left Arles and voluntarily entered an asylum in Saint-Rémy-de-Provence. Around this time, he wrote, "Sometimes moods of indescribable anguish, sometimes moments when the veil of time and fatality of circumstances seemed to be torn apart for an instant."[159]


The Flowering Orchards (also the Orchards in Blossom) are among the first groups of work completed after Van Gogh's arrival in Arles in February 1888. The 14 paintings are optimistic, joyous and visually expressive of the burgeoning spring. They are delicately sensitive and unpopulated. He painted swiftly, and although he brought to this series a version of Impressionism, a strong sense of personal style began to emerge during this period. The transience of the blossoming trees, and the passing of the season, seemed to align with his sense of impermanence and belief in a new beginning in Arles. During the blossoming of the trees that spring, he found "a world of motifs that could not have been more Japanese".[252] Vincent wrote to Theo on 21 April 1888 that he had 10 orchards and "one big [painting] of a cherry tree, which I've spoiled".[253]

Van Gogh’s fame dates from the early years of the 20th century, and since then his reputation has never ceased to grow. A large part of this reputation is based on the image of van Gogh as a struggling genius, working unappreciated in isolation. The dramatic elements of his life—poverty, self-mutilation, mental breakdown, and suicide—feed the drama of this mythology. The notion that his unorthodox talent was unrecognized and rejected by society heightens the legend, as it is just that sort of isolation and struggle that has come to define the modern concept of the artist. This mythical van Gogh has become almost inseparable from his art, inspiring artists to dramatize his saga in poems, novels, films, operas, dance ensembles, orchestral compositions, and a popular song. Wide and diverse audiences have come to appreciate his art, and the record-breaking attendance at exhibitions of his works—as well as the popularity of commercial items featuring imagery from his oeuvre—reveal that, within the span of a century, van Gogh has become perhaps the most recognized painter of all time. The unprecedented prices his works have attained through auction and the attention paid to forgery scandals have only increased van Gogh’s stature in the public imagination.
It took Walt twenty years to talk Travers [P.L. Travers, author of the Mary Poppins novels] into giving him the rights for the picture and then she fought him tooth and nail all the way through it. She hated me, she hated Julie Andrews, she didn't think either one of us were right. After the premiere she met Walt in the lobby and said, 'All the animation has to go.' Walt said, 'Pamela, the boat has sailed.'
In mid-1889, and at his sister Wil's request, Van Gogh painted several smaller versions of Wheat Field with Cypresses.[249] The works are characterised by swirls and densely painted impasto, and include The Starry Night, in which cypresses dominate the foreground.[246] In addition to this, other notable works on cypresses include Cypresses (1889), Cypresses with Two Figures (1889–90), and Road with Cypress and Star (1890).[250]
Born in Missouri, entertainer Dick Van Dyke was raised in Danville, Illinois, where repeated viewings of Laurel & Hardy comedies at his local movie palace inspired him to go into show business. Active in high school and community plays in his teens, Van Dyke briefly put his theatrical aspirations aside upon reaching college age. He toyed with the idea of becoming a Presbyterian minister; then, after serving in the Air Force during World War II, opened up a Danville advertising agency. When this venture failed, it was back to show biz, first as a radio announcer for local station WDAN, and later as half of a record-pantomime act called The Merry Mutes (the other half was a fellow named Philip Erickson). While hosting a TV morning show in New Orleans, Van Dyke was signed to a contract by the CBS network. He spent most of his time subbing for other CBS personalities and emceeing such forgotten endeavors as Cartoon Theatre. After making his acting debut as a hayseed baseball player on The Phil Silvers Show, Van Dyke left CBS to free-lance. He hosted a few TV game shows before his career breakthrough as co-star of the 1959 Broadway review The Girls Against the Boys. The following year, he starred in the musical comedy Bye Bye Birdie, winning a Tony Award for his portrayal of mother-dominated songwriter Albert Peterson (it would be his last Broadway show until the short-lived 1980 revival of The Music Man). In 1961, he was cast as comedy writer Rob Petrie on The Dick Van Dyke Show, which after a shaky start lasted five seasons and earned its star three Emmies.He made his movie bow in the 1963 filmization of Bye Bye Birdie, then entered into a flexible arrangement with Walt Disney Studios. His best known films from that era include Mary Poppins (1964), Lt. Robin Crusoe, USN and The Comic, in which he played an amalgam of several self-destructive silent movie comedians. His TV specials remained popular in the ratings, and it was this fact that led to the debut of The New Dick Van Dyke Show in 1971. Despite the creative input of the earlier Dick Van Dyke Show's maven Carl Reiner, the later series never caught on, and petered out after three seasons. A chronic "people pleaser," Van Dyke was loath to display anger or frustration around his co-workers or fans, so he began taking solace in liquor; by 1972, he had become a full-fledged alcoholic. Rather than lie to his admirers or himself any longer, he underwent treatment and publicly admitted his alcoholism -- one of the first major TV stars ever to do so. Van Dyke's public confession did little to hurt his "nice guy" public image, and, now fully and permanently sober, he continued to be sought out for guest-star assignments and talk shows. In 1974, he starred in the TV movie The Morning After, playing an ad executive who destroys his reputation, his marriage and his life thanks to booze. After that Van Dyke, further proved his versatility when he began accepting villainous roles, ranging from a cold-blooded wife murderer in a 1975 Columbo episode to the corrupt district attorney in the 1990 film Dick Tracy. He also made several stabs at returning to weekly television, none of which panned out--until 1993, when he starred as Dr. Mark Sloan in the popular mystery series Diagnosis Murder. He made a few more movie appearances after Diagnosis Murder came to an end, most notably as a retired security guard in the hit family film Night at the Museum. As gifted at writing and illustrating as he is at singing, dancing and clowning, Van Dyke has penned two books, Faith, Hope and Hilarity and Those Funny Kids. From 1992 to 1994, he served as chairman of the Nickelodeon cable service, which was then sweeping the ratings by running Dick Van Dyke Show reruns in prime time. Van Dyke is the brother of award-winning TV personality Jerry Van Dyke, and the father of actor Barry Van Dyke.

The name of van Gogh was virtually unknown when he killed himself: only one article about him had appeared during his lifetime. He had exhibited a few canvases at the Salon des Indépendants in Paris between 1888 and 1890 and in Brussels in 1890; both salons showed small commemorative groups of his work in 1891. One-man shows of his work did not occur until 1892.

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